Chapter
Licensed
Unlicensed
Requires Authentication
ONE. MISE-EN-SCENE: WITHIN THE IMAGE
-
Ed Sikov
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS vii
- PREFACE: WHAT THIS BOOK IS—AND WHAT IT’S NOT xi
- INTRODUCTION: REPRESENTATION AND REALITY 1
- ONE. MISE-EN-SCENE: WITHIN THE IMAGE 5
- TWO. MISE-EN-SCENE: CAMERA MOVEMENT 24
- THREE. MISE-EN-SCENE: CINEMATOGRAPHY 38
- FOUR. EDITING: FROM SHOT TO SHOT 55
- FIVE. SOUND 74
- SIX. NARRATIVE: FROM SCENE TO SCENE 89
- SEVEN. FROM SCREENPLAY TO FILM 103
- EIGHT. FILMMAKERS 116
- NINE. PERFORMANCE 129
- TEN. GENRE 143
- ELEVEN. SPECIAL EFFECTS 158
- TWELVE. FILM AND IDEOLOGY 169
- THIRTEEN. FILM STUDIES IN THE ERA OF DIGITAL CINEMA 184
- FOURTEEN. PUTTING IT TOGETHER: A MODEL 8- TO 10-PAGE PAPER 197
- GLOSSARY 215
- ACKNOWLEDGMENTS 229
- INDEX 231
- FILM AND CULTURE 247
Chapters in this book
- Frontmatter i
- CONTENTS vii
- PREFACE: WHAT THIS BOOK IS—AND WHAT IT’S NOT xi
- INTRODUCTION: REPRESENTATION AND REALITY 1
- ONE. MISE-EN-SCENE: WITHIN THE IMAGE 5
- TWO. MISE-EN-SCENE: CAMERA MOVEMENT 24
- THREE. MISE-EN-SCENE: CINEMATOGRAPHY 38
- FOUR. EDITING: FROM SHOT TO SHOT 55
- FIVE. SOUND 74
- SIX. NARRATIVE: FROM SCENE TO SCENE 89
- SEVEN. FROM SCREENPLAY TO FILM 103
- EIGHT. FILMMAKERS 116
- NINE. PERFORMANCE 129
- TEN. GENRE 143
- ELEVEN. SPECIAL EFFECTS 158
- TWELVE. FILM AND IDEOLOGY 169
- THIRTEEN. FILM STUDIES IN THE ERA OF DIGITAL CINEMA 184
- FOURTEEN. PUTTING IT TOGETHER: A MODEL 8- TO 10-PAGE PAPER 197
- GLOSSARY 215
- ACKNOWLEDGMENTS 229
- INDEX 231
- FILM AND CULTURE 247