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Introduction: The Novelist, the Critic, and the "Queer"
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Marilee Lindemann
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Chapters in this book
- Frontmatter i
- Contents xi
- Note on Texts and List of Abbreviations xiii
- Acknowledgments xv
- Introduction: The Novelist, the Critic, and the "Queer" 1
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PART I. Fear of a Queer Prairie: Figures of the Body and/ as the Nation in the Letters and Early Novels
- 1. Driving One-Handed: The Law, the Letter, and the Unsanctioned Voice 15
- 2. "Filling Out Nice": Body-Building and Nation-Building in the Early Novels 33
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PART II. Queering the "Classics": Willa Cather and the Literary History of the United States
- 3. "In a Prohibition Country": The Culture Wars of the 1920s 79
- 4. Comrades and Countrymen: Queer Love and a Dream of "America" 115
- Conclusion: Queer (R)Age-Notes on the Late Fiction and the Queering of the World 133
- Notes 143
- Works Cited 171
- Index 181
Chapters in this book
- Frontmatter i
- Contents xi
- Note on Texts and List of Abbreviations xiii
- Acknowledgments xv
- Introduction: The Novelist, the Critic, and the "Queer" 1
-
PART I. Fear of a Queer Prairie: Figures of the Body and/ as the Nation in the Letters and Early Novels
- 1. Driving One-Handed: The Law, the Letter, and the Unsanctioned Voice 15
- 2. "Filling Out Nice": Body-Building and Nation-Building in the Early Novels 33
-
PART II. Queering the "Classics": Willa Cather and the Literary History of the United States
- 3. "In a Prohibition Country": The Culture Wars of the 1920s 79
- 4. Comrades and Countrymen: Queer Love and a Dream of "America" 115
- Conclusion: Queer (R)Age-Notes on the Late Fiction and the Queering of the World 133
- Notes 143
- Works Cited 171
- Index 181