NOTES

Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. PREFACE ix
4. CHAPTER 1 THE PRODUCTIVE INTERACTION OF CHRISTIANS AND JEWS THAT LED TO THE CREATION OF MODERNISM IN VIENNA 1900 1
5. CHAPTER 2 EMPATHY AND THE UNCERTAINTIES OF BEING IN THE PAINTINGS OF CHAIM SOUTINE 59
6. CHAPTER 3 COMPETING INFLUENCES THAT GAVE RISE TO THE MODERN REPRESENTATION OF WOMEN 93
7. CHAPTER 4 PORTRAITURE AND THE BEHOLDER’S SHARE 115
8. CHAPTER 5 THE CUBIST CHALLENGE TO THE BEHOLDER’S SHARE 135
9. CHAPTER 6 COMPARISON OF SCULPTURE AND PAINTING 155
10. CHAPTER 7 THE BEHOLDER’S RESPONSE TO ABSTRACT AND FIGURATIVE ART 185
11. NOTES 203
12. INDEX 207