Brian Edwards, author of After the American Century: The Ends of U.S. Culture in the Middle East:
In The Shahnameh, Hamid Dabashi shows the global importance of the tenth-century Persian masterpiece and gives readers a strong sense of its literary magnificence. Dabashi allows us to see the world imagined by Abolqasem Ferdowsi in its richness and complexity eight centuries before Goethe made his influential claim for Weltliteratur and, thereby, helps us expand our sense of the world of literature. After reading Dabashi’s magisterial account of the great Iranian epic, we must return to the ongoing debates in world literature anew.

Walter Mignolo, coauthor of On Decoloniality: Concepts, Analytics, Praxis:
This is a work of love and care on the foundational story telling of the Persianate. Dabashi guides the reader to avoid the traps of the Eurocentered idea of 'world literature.' He invites us to reimagine and rewrite it starting from the Shahanameh instead of from a canonical Western narrative. A powerful political statement that shifts the geography of 'world literature.'

Mahmoud Omidsalar, author of Poetics and Politics of Iran's National Epic, the Shahnameh:
This is an important book that will make its readers reconsider what they think they know about Iran’s national epic. It situates the poem in three contexts: The imperial world in which it was born, the world that it envisions, and the postcolonial world in which it is read and understood. Writing as a learned and passionate critic, Dabashi succeeds in placing the Shahnameh in the corpus of world literature, but somewhere beyond the reach of Eurocentrism. Like Dabashi’s other works, it will stay with its readers, and will open new vistas for the specialist and the nonspecialist alike.

Aravind Adiga, author of The White Tiger:
A major achievement. With wit and erudition, Hamid Dabashi has pushed open one of the great locked doors of world literature: the Shahnameh. In bringing the central work of Persian literature vividly to life, he also offers us a new way to understand all epics. More likely, in Dabashi’s brilliant reading, to undermine imperialistic ambitions than to proclaim them, the Shahnameh and its fellow epic poems reassert their relevance in our troubled times.

Gayatri Chakravorty Spivak, University Professor, Columbia University:
This is a work of imaginative activism. Hamid Dabashi coaxes and cajoles the reader to achieve the critical intimacy with the founding epic of Iran that he himself has acquired from childhood and through teaching and parenting. Historically conscientious, he is aware of the abuses of nationalism and triumphalism. His Shahnameh is a metaphysical epic of worthy failure. Such readings open many worlds, shaming the Eurocentric binaries of 'world literature.'