Sinophone Studies Across Disciplines
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Edited by:
Howard Chiang
and Shu-mei Shih
About this book
Author / Editor information
Shu-mei Shih is the Irving and Jean Stone Chair in Humanities and professor of Asian languages and cultures, comparative literature, and Asian American studies at the University of California, Los Angeles. She is the author of Visuality and Identity: Sinophone Articulations Across the Pacific (2007), which has been credited as having inaugurated the field of Sinophone studies, and coeditor of Sinophone Studies: A Critical Reader (Columbia, 2013).
Reviews
Sinophone Studies Across Disciplines is a crucial contribution to the discussion around Sinophone studies as it continues to evolve by dialoguing and intersecting with a variety of fields, disciplines, and theoretical approaches. The volume’s interdisciplinary force, political thrust, and future-orientedness dare us to think smarter and in more ethical ways.
James A. Millward, Georgetown University:
When I first encountered Sinophone studies in Shu-mei Shih's
writings, it struck me like a bolt from the blue. It challenged the accepted
categories, monolithic framings, exceptionalist assumptions, and totalizing
injunctions of conventional China studies. This volume reveals in full the power and
promise of its disruptive intervention, now a mature methodology animating the work
of scholars across multiple disciplines.
Prasenjit Duara, Duke University:
Showcasing users of Sinitic languages beyond the hegemony of
language nationalism, this book traces local and historically changing meanings
through a variety of intersecting registers—literary, sonic, performative, sexual,
and, not least, political. Attention to Sinophone experiences at the margins of
powerful nation-states, it shows, provides a paradigm-shifting conception of what it
is to be and exceed being Chinese.
Takashi Fujitani, University of Toronto:
Postdisciplinary, decolonial, antiessentialist, anti-imperialist,
antiheteronormative, antinationalist, and committed to theoretical rigor and justice
on a world scale, this is essential reading for anyone wanting to understand the
stakes and contributions of one of the most important challenges in recent decades
to dominant ways of knowing about Asia in its global relations.
Topics
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Frontmatter
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Contents
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Introduction: Sinophone Studies Across Disciplines
1 - PART I Interdisciplinary Conjunctions
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1 The Question of Chinese Empire
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2 Stonewall Aside: When Queer Theory Meets Sinophone Studies
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3 Written Out: Dance and the Sinophone
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4 Cantonese Opera and Sino-Soundscape in North America
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5 Ann Hui, Hainan, and the Sino-Vietnamese War: A Sinophone Inter-Asian Recasting of Boat People’s Transpacific Refugee Critique
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6 Sinophonic Affects: Kyle Dargan’s Anagnorisis and the Poetics of Infrastructure in Chan Tze Woon’s Yellowing
125 - PART II Theories, Methodologies, Controversies
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7 Geocritical Sinophone and Transgressive Community
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8 Sinophone Postloyalism
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9 Parasite: Conceptualizing a Sinophone Approach and Ethics
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10 Queer Hong Kong as a Sinophone Method
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11 Enjoy Your Sinophone!
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12 The Lure of Diaspora and Sinophone Malaysian Literature in Taiwan
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13 Conditions of Theory in Taiwan: Americanism and Settler Colonialism
243 - PART III Places of Differentiation
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14 Chinese Settler Colonialism: Empire and Life in the Tibetan Borderlands
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15 Beyond Musical, Political, and Linguistic Boundaries: The Influence of the Hong Kong Rock Band Beyond in the PRC in the 1990s and Its Legacy
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16 Translanguaging as a Transcultural Marker in the Italian Sinophone Play Tong Men-g
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17 From Multilingualism to Mandarin: Chinese Singaporeans as a Sinophone Community, 1945–1990
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18 Adaptation and Identity Building Among the Ethnic Chinese Communities in Vietnam: A View from Ritual Transformation in Popular Religion
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19 The Misconstrued Reader: Contemporary Sinophone Literature in Thailand
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Contributors
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Index
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