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Introduction: Invisible and Invented Archives
-
Sarah Phillips Casteel
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface and Acknowledgments ix
- List of Abbreviations xv
- Introduction: Invisible and Invented Archives 1
-
Part I Documenting the Past: The Artist as Witness
- Introduction to Part I 21
- 1. Outside the Frame: Josef Nassy’s Visual Diary of Internment in Nazi Germany 27
- 2. Broken Citizenship: Survivor Memoirs by Hans J. Massaquoi, Theodor Michael, and John William 61
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Part II Imagining the Past: The Artist as Historian
- Introduction to Part II 91
- 3. Jazz Fiction and the Holocaust: Testimonial Objects in the Novels of John A. Williams and Esi Edugyan 98
- 4. Performing to Survive: “Queen of the Trumpet” Valaida Snow in Fiction, Drama, and Graphic Narrative 128
- 5. Postmemorial Landscapes of Black Europe: Maud Sulter’s Alpine Photomontages 155
- Coda: Dancing Out History in Oxana Chi’s Durch Gärten Tanzen 186
- Notes 195
- Bibliography 227
- Index 241
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface and Acknowledgments ix
- List of Abbreviations xv
- Introduction: Invisible and Invented Archives 1
-
Part I Documenting the Past: The Artist as Witness
- Introduction to Part I 21
- 1. Outside the Frame: Josef Nassy’s Visual Diary of Internment in Nazi Germany 27
- 2. Broken Citizenship: Survivor Memoirs by Hans J. Massaquoi, Theodor Michael, and John William 61
-
Part II Imagining the Past: The Artist as Historian
- Introduction to Part II 91
- 3. Jazz Fiction and the Holocaust: Testimonial Objects in the Novels of John A. Williams and Esi Edugyan 98
- 4. Performing to Survive: “Queen of the Trumpet” Valaida Snow in Fiction, Drama, and Graphic Narrative 128
- 5. Postmemorial Landscapes of Black Europe: Maud Sulter’s Alpine Photomontages 155
- Coda: Dancing Out History in Oxana Chi’s Durch Gärten Tanzen 186
- Notes 195
- Bibliography 227
- Index 241