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1. The Art Novel Meets 1910s Formalism
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David Bordwell
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Chapters in this book
- Frontmatter i
- CONTENTS ix
- ACKNOWLEDGMENTS xi
- Introduction: Mass Art as Experimental Storytelling 1
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PART I
- 1. The Art Novel Meets 1910s Formalism 27
- 2. Making Confusion Satisfactory: Modernism and Other Mysteries 55
- 3. Churn and Consolidation: The 1940s and After 81
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PART II
- 4. The Golden Age Puzzle Plot: The Taste of the Construction 117
- 5. Before the Fact: The Psychological Thriller 157
- 6. Dark and Full of Blood: Hard-Boiled Detection 194
- 7. The 1940s: Mysteries in Crossover Culture 235
- 8. The 1940s: The Problem of Other Minds, or Just One 261
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PART III
- 9. The Great Detective Rewritten: Erle Stanley Gardner and Rex Stout 283
- 10. Viewpoints, Narrow and Expansive: Patricia Highsmith and Ed McBain 318
- 11. Donald Westlake and the Richard Stark Machine 336
- 12. Tarantino, Twists, and the Persistence of Puzzles 357
- 13. Gone Girls: The New Domestic Thriller 382
- Conclusion: The Power of Limits 405
- NOTES 413
- INDEX 467
Chapters in this book
- Frontmatter i
- CONTENTS ix
- ACKNOWLEDGMENTS xi
- Introduction: Mass Art as Experimental Storytelling 1
-
PART I
- 1. The Art Novel Meets 1910s Formalism 27
- 2. Making Confusion Satisfactory: Modernism and Other Mysteries 55
- 3. Churn and Consolidation: The 1940s and After 81
-
PART II
- 4. The Golden Age Puzzle Plot: The Taste of the Construction 117
- 5. Before the Fact: The Psychological Thriller 157
- 6. Dark and Full of Blood: Hard-Boiled Detection 194
- 7. The 1940s: Mysteries in Crossover Culture 235
- 8. The 1940s: The Problem of Other Minds, or Just One 261
-
PART III
- 9. The Great Detective Rewritten: Erle Stanley Gardner and Rex Stout 283
- 10. Viewpoints, Narrow and Expansive: Patricia Highsmith and Ed McBain 318
- 11. Donald Westlake and the Richard Stark Machine 336
- 12. Tarantino, Twists, and the Persistence of Puzzles 357
- 13. Gone Girls: The New Domestic Thriller 382
- Conclusion: The Power of Limits 405
- NOTES 413
- INDEX 467