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27. On the Classicism of Goethe’s Iphigenie
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Theodor W. Adorno
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- INTRODUCTION TO THE COMBINED EDITION 1
-
VOLUME ONE
- TRANSLATOR’S PREFACE 19
- EDITORIAL REMARKS FROM THE GERMAN EDITION 23
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PART I
- 1. The Essay as Form 29
- 2. On Epic Naiveté 48
- 3. The Position of the Narrator in the Contemporary Novel 53
- 4. On Lyric Poetry and Society 59
- 5. In Memory of Eichendorff 74
- 6. Heine the Wound 96
- 7. Looking Back on Surrealism 102
- 8. Punctuation Marks 106
- 9. The Artist as Deputy 112
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PART II
- 10. On the Final Scene of Faust 123
- 11. Reading Balzac 132
- 12. Valéry’s Deviations 147
- 13. Short Commentaries on Proust 179
- 14. Words from Abroad 188
- 15. Ernst Bloch’s Spuren 201
- 16. Extorted Reconciliation: On Georg Lukács’ Realism in Our Time 215
- 17. Trying to Understand Endgame 237
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VOLUME TWO
- TRANSLATOR’S PREFACE 271
- EDITORIAL REMARKS FROM THE GERMAN EDITION 273
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PART III
- 18. Titles: Paraphrases on Lessing 283
- 19. Toward a Portrait of Thomas Mann 291
- 20. Bibliographical Musings 298
- 21. On an Imaginary Feuilleton 309
- 22. Morals and Criminality: On the Eleventh Volume of the Works of Karl Kraus 316
- 23. The Curious Realist: On Siegfried Kracauer 332
- 24. Commitment 348
- 25. Presuppositions: On the Occasion of a Reading by Hans G. Helms 364
- 26. Parataxis: On Hölderlin’s Late Poetry 376
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PART IV
- 27. On the Classicism of Goethe’s Iphigenie 415
- 28. On Dickens’ The Old Curiosity Shop: A Lecture 430
- 29. Stefan George 437
- 30. Charmed Language: On the Poetry of Rudolf Borchardt 451
- 31. The Handle, the Pot, and Early Experience: Ui, haww’ ich gesacht 466
- 32. Introduction to Benjamin’s Schriften 474
- 33. Benjamin the Letter Writer 485
- 34. An Open Letter to Rolf Hochhuth 491
- 35. Is Art Lighthearted? 497
- NOTES 505
- INDEX 519
Chapters in this book
- Frontmatter i
- CONTENTS vii
- INTRODUCTION TO THE COMBINED EDITION 1
-
VOLUME ONE
- TRANSLATOR’S PREFACE 19
- EDITORIAL REMARKS FROM THE GERMAN EDITION 23
-
PART I
- 1. The Essay as Form 29
- 2. On Epic Naiveté 48
- 3. The Position of the Narrator in the Contemporary Novel 53
- 4. On Lyric Poetry and Society 59
- 5. In Memory of Eichendorff 74
- 6. Heine the Wound 96
- 7. Looking Back on Surrealism 102
- 8. Punctuation Marks 106
- 9. The Artist as Deputy 112
-
PART II
- 10. On the Final Scene of Faust 123
- 11. Reading Balzac 132
- 12. Valéry’s Deviations 147
- 13. Short Commentaries on Proust 179
- 14. Words from Abroad 188
- 15. Ernst Bloch’s Spuren 201
- 16. Extorted Reconciliation: On Georg Lukács’ Realism in Our Time 215
- 17. Trying to Understand Endgame 237
-
VOLUME TWO
- TRANSLATOR’S PREFACE 271
- EDITORIAL REMARKS FROM THE GERMAN EDITION 273
-
PART III
- 18. Titles: Paraphrases on Lessing 283
- 19. Toward a Portrait of Thomas Mann 291
- 20. Bibliographical Musings 298
- 21. On an Imaginary Feuilleton 309
- 22. Morals and Criminality: On the Eleventh Volume of the Works of Karl Kraus 316
- 23. The Curious Realist: On Siegfried Kracauer 332
- 24. Commitment 348
- 25. Presuppositions: On the Occasion of a Reading by Hans G. Helms 364
- 26. Parataxis: On Hölderlin’s Late Poetry 376
-
PART IV
- 27. On the Classicism of Goethe’s Iphigenie 415
- 28. On Dickens’ The Old Curiosity Shop: A Lecture 430
- 29. Stefan George 437
- 30. Charmed Language: On the Poetry of Rudolf Borchardt 451
- 31. The Handle, the Pot, and Early Experience: Ui, haww’ ich gesacht 466
- 32. Introduction to Benjamin’s Schriften 474
- 33. Benjamin the Letter Writer 485
- 34. An Open Letter to Rolf Hochhuth 491
- 35. Is Art Lighthearted? 497
- NOTES 505
- INDEX 519