Book
Licensed
Unlicensed
Requires Authentication
Something Speaks to Me
Where Criticism Begins
-
Michel Chaouli
Language:
English
Published/Copyright:
2024
About this book
An account of criticism as an urgent response to what moves us.
Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us.
We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us.
We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
Author / Editor information
Michel Chaouli is professor of German and comparative literature at Indiana University Bloomington, where he also directs the Center for Theoretical Inquiry in the Humanities. His recent publications include Thinking with Kant’s “Critique of Judgment” and the coedited volume Poetic Critique: Encounters with Art and Literature.
Reviews
"Inviting us to look afresh at the experience of reading, Michel Chaouli fuses the poetic and philosophical to stunning effect. To read his words is to be arrested by revelatory turns of phrase and ambushed by insights. Chaouli’s luminous prose deserves the widest possible audience."
— Rita Felski, University of Virginia“If, as Michel Chaouli suggests, there is no greater compliment to pay a work than ‘to credit it with the power of arousing the urge of making,’ then this book deserves that high praise. I left its pages grateful to the author for articulating things I’ve thought but didn’t yet have words for, as well as for articulating ideas that hadn’t yet occurred to me. Chaouli’s prose is patient and pellucid at every turn without ever sacrificing passion or complexity. His book renews my excitement about—and dedication to—poetic criticism, not to mention the sustaining arts of connection and conversation.”
— Maggie Nelson“Chaouli’s passionate, brooding exploration of poetic criticism should be essential reading not for literary critics alone but for anyone who has fallen under the spell of a powerful work of art and feels the mysterious compulsion to speak about the experience.”
— Stephen Greenblatt, Harvard University“In this startlingly original and elegantly constructed book, Chaouli enacts the very sort of practice which his phenomenology of poetic criticism so brilliantly describes. Something Speaks to Me extends the legacy of Barthes, Baldwin, Sontag, and Adorno, writers for whom criticism meant ‘making new sense’ as much as ‘understanding [existing sense],’ and whose passages are read with unprecedented attention throughout. It is also a unique work: a phenomenology of intimacy, urgency, and opacity. This triad of terms enables Chaouli to explore the philosophical depths of what happens when criticism and participation are seen as interlocking rather than opposing activities, disclosing the seriousness of an underexamined and often unloved practice but also highlighting its everyday joys.”
— Sianne Ngai, University of Chicago"Chaouli presents an extended philosophical essay that investigates and champions poetic criticism. . . . Chaouli explores. . . with breadth and depth, regularly circling back and questioning his own premises and conclusions to move the conversation forward in ways that avoid linearity or closure. . . . This book will appeal to readers interested in swimming with the author through thoughtful musings rather than skating along the surface of an argument plainly laid out."
— Choice“Poetic criticism—you know it when you see it, or rather when you hear it. It is not a program, or a genre, and it is not, in Chaouli’s telling, a thing in itself. It is instead a movement, an insinuation, a tendency. And you may encounter it not just in novels and poems but also in contexts remote from the obviously literary or academic: in mainstream book or film reviews, pop-cultural commentary, sports journalism, or conversations with friends.”
— Yale Reivew"...Chaouli distills his characterization of the process of literary criticism into three steps: 1. Something speaks to me. 2. I must tell you about it. 3. But I don’t know how. The three sections of the book correspond to these three moments, also glossed as “intimacy,” “urgency” and “opacity.” But rather than an argument, each section is a kind of meditation..."
— The Point Magazine"For Chaouli, the essence of poetic criticism (and poetry in general) is that it reaches beyond itself. . . To put it another way: if, as William S. Burroughs famously claimed, language is a virus, then poetic language represents a peculiarly contagious strain. . . Chaouli celebrates a criticism that does not 'spot a lack in the work. . . [and] then rush to fill it', but rather one that revels in opacity and 'not-knowing.' . . . Something Speaks to Me leaves rhetorical questions open-ended. That is, it leaves the reader to fill in the book's gaps and complete its incompleteness. Michel Chaouli wants to infect us all."
— Times Literary SupplementTopics
-
Download PDFPublicly Available
Frontmatter
i -
Download PDFPublicly Available
Contents
vii -
Download PDFRequires Authentication UnlicensedLicensed
To Start
1 - Part 1 Something Speaks to Me (Intimacy)
-
Download PDFRequires Authentication UnlicensedLicensed
Feeling the Pulse of the Text
9 -
Download PDFRequires Authentication UnlicensedLicensed
Some Examples
12 -
Download PDFRequires Authentication UnlicensedLicensed
Poetic Criticism, an Essay
17 -
Download PDFRequires Authentication UnlicensedLicensed
Roland Barthes Has Sushi
18 -
Download PDFRequires Authentication UnlicensedLicensed
What Does the Text Want from Me?
20 -
Download PDFRequires Authentication UnlicensedLicensed
The Impersonality of Intimacy
24 -
Download PDFRequires Authentication UnlicensedLicensed
The Texture of Intimacy
25 -
Download PDFRequires Authentication UnlicensedLicensed
Productive Distrust
28 -
Download PDFRequires Authentication UnlicensedLicensed
Learning to Unlearn
30 -
Download PDFRequires Authentication UnlicensedLicensed
Naïveté
32 -
Download PDFRequires Authentication UnlicensedLicensed
Intimacy, Self-Taught
34 -
Download PDFRequires Authentication UnlicensedLicensed
The Call of Significance
34 -
Download PDFRequires Authentication UnlicensedLicensed
The Authority of the Poetic
37 -
Download PDFRequires Authentication UnlicensedLicensed
Being in History
38 -
Download PDFRequires Authentication UnlicensedLicensed
Being in the Same History (Tradition)
40 -
Download PDFRequires Authentication UnlicensedLicensed
A Bastard of History
43 - Part 2 I Must Tell You About It (Urgency)
-
Download PDFRequires Authentication UnlicensedLicensed
Understanding and Making
49 -
Download PDFRequires Authentication UnlicensedLicensed
Making the New by Remaking the Old
53 -
Download PDFRequires Authentication UnlicensedLicensed
Learning Not to Conclude
56 -
Download PDFRequires Authentication UnlicensedLicensed
Tact
60 -
Download PDFRequires Authentication UnlicensedLicensed
Playing It by Ear
64 -
Download PDFRequires Authentication UnlicensedLicensed
Poetic Making Conserves as It Renews
67 -
Download PDFRequires Authentication UnlicensedLicensed
Poetic Power
71 -
Download PDFRequires Authentication UnlicensedLicensed
Philological Disarmament
77 -
Download PDFRequires Authentication UnlicensedLicensed
Hearing That We May Speak
79 -
Download PDFRequires Authentication UnlicensedLicensed
Second Thoughts
81 -
Download PDFRequires Authentication UnlicensedLicensed
Self-Reference versus Urgency
82 -
Download PDFRequires Authentication UnlicensedLicensed
Epiphanies
85 -
Download PDFRequires Authentication UnlicensedLicensed
The Intense Life of Language
88 -
Download PDFRequires Authentication UnlicensedLicensed
What and How
90 -
Download PDFRequires Authentication UnlicensedLicensed
The Knot of Experience
92 -
Download PDFRequires Authentication UnlicensedLicensed
Making Freedom
96 - Part 3 But I Don’t Know How (Opacity)
-
Download PDFRequires Authentication UnlicensedLicensed
Shadow in Plain Sight
103 -
Download PDFRequires Authentication UnlicensedLicensed
The Difficulty of Criticism
108 -
Download PDFRequires Authentication UnlicensedLicensed
The Strange Voice
110 -
Download PDFRequires Authentication UnlicensedLicensed
Aristotle versus Plato
113 -
Download PDFRequires Authentication UnlicensedLicensed
What in Technique Is More Than Technique
115 -
Download PDFRequires Authentication UnlicensedLicensed
What Kind of Thing Is the Poetic Thing?
116 -
Download PDFRequires Authentication UnlicensedLicensed
The Work of Art versus the Poetic Work
119 -
Download PDFRequires Authentication UnlicensedLicensed
The Eye of the Work, the Eye of the Beholder
121 -
Download PDFRequires Authentication UnlicensedLicensed
How to Leap Over One’s Own Shadow
123 -
Download PDFRequires Authentication UnlicensedLicensed
Why Non-Knowing Is the Primal Condition of Poetry
127 -
Download PDFRequires Authentication UnlicensedLicensed
Genius
128 -
Download PDFRequires Authentication UnlicensedLicensed
Criticism Is Making
132 -
Download PDFRequires Authentication UnlicensedLicensed
The Poet of the Poet
133 -
Download PDFRequires Authentication UnlicensedLicensed
Falling
135 -
Download PDFRequires Authentication UnlicensedLicensed
The Difficulty, and the Ecstasy, of Reality
139 -
Download PDFRequires Authentication UnlicensedLicensed
Is Poetry a Deflection from Life?
142 -
Download PDFRequires Authentication UnlicensedLicensed
In Poetry, Non-Knowing Is a Primal Condition
143 -
Download PDFRequires Authentication UnlicensedLicensed
The Social Force of the Impersonal
147 -
Download PDFRequires Authentication UnlicensedLicensed
To Be Continued . . .
153 -
Download PDFRequires Authentication UnlicensedLicensed
Acknowledgments
157 -
Download PDFRequires Authentication UnlicensedLicensed
Notes
159 -
Download PDFRequires Authentication UnlicensedLicensed
Index
165
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 16, 2024
eBook ISBN:
9780226830438
Pages and Images/Illustrations in book
Main content:
192
eBook ISBN:
9780226830438
Keywords for this book
criticism; poetic; interpretation; intimacy; urgency; opacity; Friedrich Schlegel; Stanley Cavell; Roland Barthes
Audience(s) for this book
Professional and scholarly;