Home 6 Liquid Racism and Road Culture(s)
Chapter
Licensed
Unlicensed Requires Authentication

6 Liquid Racism and Road Culture(s)

  • Nathan Kerrigan , Damian Breen and Yusef Bakkali
View more publications by Bristol University Press
Liquid Racism
This chapter is in the book Liquid Racism

Abstract

This chapter focuses on ‘road culture’, a contemporary Black-influenced street/youth culture emanating from the UK’s urban centres. It explores how persisting inequalities and social exclusion, perpetuated by racist structures, are internalized as personal deficits by young people on road. These processes contribute to a sense of social malaise, which places the subject as the central site of a struggle to alleviate their suffering. This struggle is deeply ambivalent as the liquefied currents of historical racist structures flow through contemporary youth cultural practices, especially at their confluence with popular culture. This process highlights the ways in which an urban youth culture – of which Black youth often take centre stage – is celebrated and commodified while simultaneously and paradoxically maligned and feared. Analysis demonstrates the ambivalent ways young people resist their excluded status, while simultaneously reproduce the tropes underpinning the fears and desires, and power and fantasies connected to historical processes of racism. The chapter concludes by highlighting that this is not a straightforward process of individual agents reproducing the conditions of racism, but demonstrates the ways in which resisting racism is increasingly ambivalent, as the traction required to overcome private troubles often requires the commodification of problematic tropes in popular culture.

Abstract

This chapter focuses on ‘road culture’, a contemporary Black-influenced street/youth culture emanating from the UK’s urban centres. It explores how persisting inequalities and social exclusion, perpetuated by racist structures, are internalized as personal deficits by young people on road. These processes contribute to a sense of social malaise, which places the subject as the central site of a struggle to alleviate their suffering. This struggle is deeply ambivalent as the liquefied currents of historical racist structures flow through contemporary youth cultural practices, especially at their confluence with popular culture. This process highlights the ways in which an urban youth culture – of which Black youth often take centre stage – is celebrated and commodified while simultaneously and paradoxically maligned and feared. Analysis demonstrates the ambivalent ways young people resist their excluded status, while simultaneously reproduce the tropes underpinning the fears and desires, and power and fantasies connected to historical processes of racism. The chapter concludes by highlighting that this is not a straightforward process of individual agents reproducing the conditions of racism, but demonstrates the ways in which resisting racism is increasingly ambivalent, as the traction required to overcome private troubles often requires the commodification of problematic tropes in popular culture.

Downloaded on 21.9.2025 from https://www.degruyterbrill.com/document/doi/10.56687/9781529218503-006/html?lang=en
Scroll to top button