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Community Music at the Boundaries
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Edited by:
Lee Willingham
Language:
English
Published/Copyright:
2020
About this book
Community Music at the Boundaries examines how music enhances the lives of those living in what might be considered marginalized settings. Built on foundational principles of community music, it addresses music and accessibility, health, justice and the prison system, faith, and education, by international contributors.
Author / Editor information
Willingham Lee :
Lee Willingham
is a Professor of Music Education at Wilfrid Laurier University. He is the coordinator of the MA in Community Music program and the Director of the Laurier Centre for Music in the Community.
Topics
Publicly Available Download PDF |
i |
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v |
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ix |
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xi |
On the Scholarship of Boundary Walking Roger Mantie Publicly Available Download PDF |
xiii |
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xvii |
Lee Willingham Requires Authentication Unlicensed Licensed Download PDF |
1 |
Community Music
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What Does It Really Mean to Be Inclusive? Deanna Yerichuk and Justis Krar Requires Authentication Unlicensed Licensed Download PDF |
7 |
Challenging a Discourse of Disadvantage and Social Change in Community Music Kathleen Turner Requires Authentication Unlicensed Licensed Download PDF |
26 |
Collaborative Musical Experiences with Urban Families Experiencing Homelessness in the United States
Lindsey G. Castellano Requires Authentication Unlicensed Licensed Download PDF |
46 |
Dave Camlin Requires Authentication Unlicensed Licensed Download PDF |
72 |
Community Music in Higher Education Glen Carruthers Requires Authentication Unlicensed Licensed Download PDF |
96 |
Community Music
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Establishing a Framework for Quality Delivery within the Community Music Sector Phil Mullen Requires Authentication Unlicensed Licensed Download PDF |
109 |
(A Non-Researcher’s Research and What Happened Next) Elizabeth Parker-Cook Requires Authentication Unlicensed Licensed Download PDF |
127 |
Impact and Transformations through Community Youth Orchestras Christine D’Alexander Requires Authentication Unlicensed Licensed Download PDF |
141 |
Possibilities for Community Music with Older Adults Don D. Coffman and William M. Dabback Requires Authentication Unlicensed Licensed Download PDF |
155 |
Building Social Capital through Community Music Participation Annie Mitchell Requires Authentication Unlicensed Licensed Download PDF |
171 |
Brent Rowan Requires Authentication Unlicensed Licensed Download PDF |
185 |
Antonella Coppi and Johann van der Sandt Requires Authentication Unlicensed Licensed Download PDF |
194 |
Gena Greher Requires Authentication Unlicensed Licensed Download PDF |
216 |
Richard Marsella Requires Authentication Unlicensed Licensed Download PDF |
229 |
Pete Moser Requires Authentication Unlicensed Licensed Download PDF |
240 |
Community Music
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What the Experiences of Working alongside First Peoples Can Bring to Our Understandings of Community Music Brydie-Leigh Bartleet Requires Authentication Unlicensed Licensed Download PDF |
249 |
Kelly Laurila Requires Authentication Unlicensed Licensed Download PDF |
260 |
The Search for Truth and Reconciliation through Cultural Partnership Glenn Marais Requires Authentication Unlicensed Licensed Download PDF |
274 |
Community Music
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Heidi Ahonen Requires Authentication Unlicensed Licensed Download PDF |
289 |
Performance for Children with Disabilities Elizabeth Mitchell Requires Authentication Unlicensed Licensed Download PDF |
315 |
The Room 217 Story Bev Foster Requires Authentication Unlicensed Licensed Download PDF |
334 |
A Case for Baseline Music Care Training Sarah Pearson Requires Authentication Unlicensed Licensed Download PDF |
350 |
Bridging Generations While Extending Boundaries of Understanding, Supporting and Mentoring Sasha Judelson Requires Authentication Unlicensed Licensed Download PDF |
365 |
Community Music
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Community Music-Making as a Bridge of Healing and Transformation in Prison Contexts Mary Cohen, Johnathan Kana and Richard Winemiller Requires Authentication Unlicensed Licensed Download PDF |
383 |
Kirstin Anderson Requires Authentication Unlicensed Licensed Download PDF |
402 |
Tales of a Piano Journey inside a Female Prison Ines Lamela, Paulo Rodrigues and Graça Mota Requires Authentication Unlicensed Licensed Download PDF |
409 |
Clinical Applications of Music Therapy as a Central Source Of “Community” in a Women’s Federal Prison Rebekah Jordan-Miller Requires Authentication Unlicensed Licensed Download PDF |
429 |
Community Music
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Exploring “Ideal” Identity through Community Music Activities during Carnival in Grenada, West Indies Danielle Sirek Requires Authentication Unlicensed Licensed Download PDF |
445 |
Community Music Practices and Their Application to the Music-Making in the Anabaptist Mennonite Church Brandon Leis Requires Authentication Unlicensed Licensed Download PDF |
461 |
Playing in the Banda Italiana Musicale Vincenzo Bellini in Melbourne, Australia Jane Southcott and Leon de Bruin Requires Authentication Unlicensed Licensed Download PDF |
482 |
Music-Making among Korean Elders Elisha Jo Heesun, Kari K. Veblen and Patrick J. Potter Requires Authentication Unlicensed Licensed Download PDF |
498 |
Ethical Exchange through Intercultural Improvisation Gerard Yun Requires Authentication Unlicensed Licensed Download PDF |
511 |
Lee Higgins Requires Authentication Unlicensed Licensed Download PDF |
527 |
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529 |
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591 |
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599 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
April 6, 2021
eBook ISBN:
9781771124591
Pages and Images/Illustrations in book
Main content:
580
eBook ISBN:
9781771124591
Keywords for this book
community music; boundaries; Indigenous; prisons; homeless; worship; health and wellness; education and change; activism; community; cultural identity; intercultural; ethics; gender barriers; aging populations; underserviced children; higher education; Roger Mantie; Lee Higgins; Lee Willingham; Glen Carruthers; Deanna Yerichuk; Kathleen Turner; Dave Camlin; Phil Mullen; Donald Coffman; Rich Marsella; Brydie Leigh-Bartleet; Kelly Laurila; Glenn Marais; Mary Cohen; Kirstin Anderson; Danielle Sirek; Brandon Leis; Gerard Yun
Audience(s) for this book
Professional and scholarly;