Home Classical, Ancient Near Eastern & Egyptian Studies CHAPTER XXV. THE ROMAN ORIGIN OF THE L AW OF FIVE ACTS
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CHAPTER XXV. THE ROMAN ORIGIN OF THE L AW OF FIVE ACTS

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The Roman Stage
This chapter is in the book The Roman Stage

Chapters in this book

  1. Frontmatter i
  2. PREFACE vii
  3. CONTENTS ix
  4. ILLUSTRATIONS xi
  5. CHAPTER I. INTRODUCTION 1
  6. CHAPTER II. DANGE AND DRAMA: THE PRE-LITERARY PERIOD IN ITALY 9
  7. CHAPTER III. LIVIUS ANDRONICUS AND THE COMING OF LITERARY DRAMA TO ROME 15
  8. CHAPTER IV. NAEVIUS 23
  9. CHAPTER V. PLAUTUS : LIFE AND LIST OF PLAYS 35
  10. CHAPTER VI. GREEK NEW COMEDY 40
  11. CHAPTER VII. THE FAMOUS PLAYS OF PLAUTUS 46
  12. CHAPTER VIII. PLAUTUS: TREATMENT OF HIS ORIGINALS 53
  13. CHAPTER IX. THE GENERAL CHARACTER OF ROMAN TRAGEDY 60
  14. CHAPTER Χ. PAGUVIUS 69
  15. CHAPTER XI. COMEDY AFTER THE DEATH OF PLAUTUS 75
  16. CHAPTER XII. TERENCE 81
  17. CHAPTER XIII. THE OTHER COMPOSERS OF PALLIATAE 105
  18. CHAPTER XIV. AGCIUS 111
  19. CHAPTER XV. NATIVE COMEDY: THE FABULA TOGATA 120
  20. CHAPTER XVI. POPULAR FARCE: THE FABULA ATELLANA 129
  21. CHAPTER XVII. THE LITERARY ATELLANA 135
  22. CHAPTER XVIII. THE MIME 141
  23. CHAPTER XIX. THE LATIN PROLOGUES AND THEIR VALUE AS EVIDENCE FOR THEATRICAL CONDITIONS 151
  24. CHAPTER XX. THE ORGANIZATION OF THE ROMAN THEATRE 156
  25. CHAPTER XXI. SEATS IN THE ROMAN THEATRE 163
  26. CHAPTER XXII. THE SPECTATORS 165
  27. CHAPTER XXIII. THE STAGE AND THE ACTORS' HOUSE 168
  28. CHAPTER XXIV. COSTUMES AND MASKS 176
  29. CHAPTER XXV. THE ROMAN ORIGIN OF THE L AW OF FIVE ACTS 188
  30. CHAPTER XXVI. MUSIC AND METRE 211
  31. CHAPTER XXVII. EPILOGUE : DRAMA UNDER THE EMPIRE 225
  32. APPENDICES
  33. APPENDIX A: SEATS IN THE GREEK AND ROMAN THEATRES 233
  34. APPENDIX В: SIDE-ENTRANCES AND ΠΕΡΙΑΚΤΟΙ IN THE HELLENISTIC THEATRE 240
  35. APPENDIX С: THE ANGIPORTUM AND ROMAN DRAMA 248
  36. APPENDIX D: CREPIDATA, PALLIATA, TABERNARIA, TOGATA 256
  37. APPENDIX Ε: THE ROMAN STAGE CURTAIN 259
  38. APPENDIX F: CHANGE OF SCENE AND CHANGE OF SCENERY : THE QUESTION OF ‘SETS’ 267
  39. APPENDIX G: THE DOORS SHOWN ON THE STAGE 277
  40. SHORT BIBLIOGRAPHY 287
  41. INDEX 290
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