CHAPTER XXXIII. THE GERMANIC TENDENCY AT VALENCIA – ANDRÉS MARZAL DE SAS AND HIS CIRCLE

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. LIST OF ILLUSTRATIONS vii
4. PART IV. THE ITALO–GOTHIC AND INTERNATIONAL STYLES (CONTINUED)
5. CHAPTER XXX. THE SOURCES AND GENERAL CHARACTERISTICS OF THE ITALO–GOTHIC AND INTERNATIONAL STYLES AT VALENCIA 3
6. CHAPTER XXXI. VALENCIAN PAINTINGS EXHIBITING STRONG ITALIAN INFLUENCE 11
7. CHAPTER XXXII. THE GENERAL CHARACTERISTICS OF THE MORE INDIGENOUS FORM OF THE INTERNATIONAL STYLE AT VALENCIA – PEDRO NICOLAU AND CERTAIN PAINTINGS CONTEMPORARY WITH HIM – HIS SUCCESSORS 22
8. CHAPTER XXXIII. THE GERMANIC TENDENCY AT VALENCIA – ANDRÉS MARZAL DE SAS AND HIS CIRCLE 57
9. CHAPTER XXXIV. THE “DÉTENTE” OF THE GERMANIC TENDENCY AT VALENCIA 94
10. CHAPTER XXXV. THE CATALAN INFLUENCE AT VALENCIA 112
11. CHAPTER XXXVI. OTHER VALENCIAN PAINTINGS IN THE INTERNATIONAL STYLE 129
12. CHAPTER XXXVII. THE ITALO–GOTHIC AND INTERNATIONAL STYLES IN MAJORCA 137
13. CHAPTER XXXVIII. THE ITALO–GOTHIC AND INTERNATIONAL STYLES IN ARAGON AND NAVARRE 163
14. CHAPTER XXXIX. THE FIRST STAGE OF ITALO–GOTHIC PAINTING IN CASTILE 221
15. CHAPTER XL. DELLO DELLI 234
16. CHAPTER XLI. NICOLÁS FRANCÉS AND HIS CIRCLE 261
17. CHAPTER XLII. THE ITALO–GOTHIC AND INTERNATIONAL STYLES IN ANDALUSIA 297
18. APPENDIX 327
19. APPENDIX ADDITIONS TO VOLUME III 329
20. INDEX OF NAMES OF ARTISTS VOLUMES I–III 337
21. INDEX OF PLACES VOLUMES I–III 343