CHAPTER XXII. JAIME SERRA AND HIS SCHOOL

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. LIST OF ILLUSTRATIONS ix
4. PART III. THE FRANCO-GOTHIC STYLE
5. CHAPTER XI. THE HISTORICAL AND CULTURAL SETTING OF GOTHIC PAINTING IN SPAIN UNTIL THE MIDDLE OF THE FIFTEENTH CENTURY 3
6. CHAPTER XII. THE GENERAL CHARACTERISTICS OF FRANCO-GOTHIC PAINTING IN SPAIN 12
7. CHAPTER XIII. THE FRANCO-GOTHIC MOVEMENT IN CATALONIA AND VALENCIA 18
8. CHAPTER XIV. ARAGONESE FRESCOES IN THE FRANCO-GOTHIC STYLE 50
9. CHAPTER XV. ARAGONESE PANEL PAINTINGS IN THE FRANCO-GOTHIC STYLE 75
10. CHAPTER XVI. FRANCO-GOTHIC PAINTING IN NAVARRE 107
11. CHAPTER XVII. FRANCO-GOTHIC PAINTING IN ÁLAVA AND LOGROÑO 126
12. CHAPTER XVIII. FRANCO-GOTHIC PAINTING IN THE REST OF WESTERN SPAIN 139
13. PART IV. THE ITALO-GOTHIC AND INTERNATIONAL STYLES
14. CHAPTER XIX. THE ITALO-GOTHIC AND INTERNATIONAL STYLES IN EUROPE 175
15. CHAPTER XX. THE SOURCES AND GENERAL CHARACTERISTICS OF THE ITALO-GOTHIC AND INTERNATIONAL STYLES IN SPAIN, WITH SPECIAL REFERENCE TO CATALONIA 182
16. CHAPTER XXI. FERRER BASSA AND HIS CONTEMPORARIES 194
17. CHAPTER XXII. JAIME SERRA AND HIS SCHOOL 221
18. CHAPTER XXIII. PEDRO SERRA AND THE SCHOOL OF THE SERRAS 252
19. CHAPTER XXIV. BORRASSÁ AND HIS SCHOOL 315
20. CHAPTER XXV. JAIME CABRERA 362
21. CHAPTER XXVI. MARTORELL 370
22. CHAPTER XXVII. THE MANNER OF GUIMERÁ 377
23. CHAPTER XXVIII. THE MASTER OF ST. GEORGE AND HIS SCHOOL 393
24. CHAPTER XXIX. OTHER CATALAN PAINTINGS IN THE INTERNATIONAL STYLE 445
25. APPENDIX 461