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18. The Barbarian Period
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Chapters in this book
- Frontmatter i
- PREFACE vii
- CONTENTS xi
- ILLUSTRATIONS xv
- 1. Introduction 1
- 2. The Greek Ideal 8
- 3. The Archaic Period 12
- 4. The Transitional Period 15
- 5. The Great Period 19
- 6. The Fourth Century: Praxiteles, Lysippus, Scopas 30
- 7. The Hellenistic Period and the Altar of Pergamum 35
- 8. A Gallery of Masterpieces 41
- 9. Painting in the Ancient World 49
- 10. Rome and Roman Art 56
- 11. Augustus 60
- 12. Hadrian the Hellenophile 66
- 13. Greek Originals and Roman Copies 69
- 14. The Late Antique Period 74
- 15. Constantine 81
- 16. Early Christian Art 84
- 17. Classicism in Byzantine Art 88
- 18. The Barbarian Period 96
- 19. The Carolingian Renaissance 100
- 20. The Late Middle Ages and Classical Antiquity 106
- 21. Classical Forms in the Romanesque Period 113
- 22. The Gothic Period 122
- 23. The Augustan Revival of Frederick II 128
- 24. Nicola Pisano 133
- 25. Classical Forms in Fourteenth-Century Italy 136
- 26. The Renaissance in Italy 146
- 27. Lorenzo Ghiberti 156
- 28. Venus Reborn 161
- 29. Piero Deila Francesca 165
- 30. Botticelli and the Neoplatonic Ideal 168
- 31. Donatello 173
- 32. The Labors of Hercules 176
- 33. Mantegna 180
- 34. The High Renaissance 183
- 35. Raphael’s Galatea 188
- 36. Francesco Penni and the Statuary Style 192
- 37. Michelangelo 194
- 38. Titian 206
- 39. Mannerism 210
- 40. Parmigianino 215
- 41. Bronzino’s Allegory of Luxury 219
- 42. Benvenuto Cellini’s Narcissus 223
- 43. Replicas in Bronze 227
- 44. Montecavallo 231
- 45. The Renaissance in France 236
- 46. Albrecht Dürer 240
- 47. El Greco 243
- 48. The Baroque 246
- 49. Annibale Carracci and Baroque Classicism 251
- 50. Bernini 257
- 51. Rubens and Classical Antiquity 262
- 52. The Seventeenth Century in France 265
- 53. Poussin and the Antique 268
- 54. Sculpture in Seventeenth-Century France 272
- 55. The Rococo in France 275
- 56. The Neoclassic Period 281
- 57. Anton Raphael Mengs 289
- 58. Canova 293
- 59. Classicism and Republican Ideals: Jacques-Louis David 297
- 60. The Nineteenth Century 303
- 61. Classicism and Romanticism: Ingres 307
- 62. Neoclassicism in America 311
- 63. Rodin 319
- 64. The Twentieth Century 321
- 65. Maillol 324
- 66. Picasso 326
- 67. Henry Moore 330
- 68. De Chirico 333
- 69. Epilogue 338
- Bibliography 341
- Notes 351
- Register of Places 363
- Index 367
- ILLUSTRATIONS 381
Chapters in this book
- Frontmatter i
- PREFACE vii
- CONTENTS xi
- ILLUSTRATIONS xv
- 1. Introduction 1
- 2. The Greek Ideal 8
- 3. The Archaic Period 12
- 4. The Transitional Period 15
- 5. The Great Period 19
- 6. The Fourth Century: Praxiteles, Lysippus, Scopas 30
- 7. The Hellenistic Period and the Altar of Pergamum 35
- 8. A Gallery of Masterpieces 41
- 9. Painting in the Ancient World 49
- 10. Rome and Roman Art 56
- 11. Augustus 60
- 12. Hadrian the Hellenophile 66
- 13. Greek Originals and Roman Copies 69
- 14. The Late Antique Period 74
- 15. Constantine 81
- 16. Early Christian Art 84
- 17. Classicism in Byzantine Art 88
- 18. The Barbarian Period 96
- 19. The Carolingian Renaissance 100
- 20. The Late Middle Ages and Classical Antiquity 106
- 21. Classical Forms in the Romanesque Period 113
- 22. The Gothic Period 122
- 23. The Augustan Revival of Frederick II 128
- 24. Nicola Pisano 133
- 25. Classical Forms in Fourteenth-Century Italy 136
- 26. The Renaissance in Italy 146
- 27. Lorenzo Ghiberti 156
- 28. Venus Reborn 161
- 29. Piero Deila Francesca 165
- 30. Botticelli and the Neoplatonic Ideal 168
- 31. Donatello 173
- 32. The Labors of Hercules 176
- 33. Mantegna 180
- 34. The High Renaissance 183
- 35. Raphael’s Galatea 188
- 36. Francesco Penni and the Statuary Style 192
- 37. Michelangelo 194
- 38. Titian 206
- 39. Mannerism 210
- 40. Parmigianino 215
- 41. Bronzino’s Allegory of Luxury 219
- 42. Benvenuto Cellini’s Narcissus 223
- 43. Replicas in Bronze 227
- 44. Montecavallo 231
- 45. The Renaissance in France 236
- 46. Albrecht Dürer 240
- 47. El Greco 243
- 48. The Baroque 246
- 49. Annibale Carracci and Baroque Classicism 251
- 50. Bernini 257
- 51. Rubens and Classical Antiquity 262
- 52. The Seventeenth Century in France 265
- 53. Poussin and the Antique 268
- 54. Sculpture in Seventeenth-Century France 272
- 55. The Rococo in France 275
- 56. The Neoclassic Period 281
- 57. Anton Raphael Mengs 289
- 58. Canova 293
- 59. Classicism and Republican Ideals: Jacques-Louis David 297
- 60. The Nineteenth Century 303
- 61. Classicism and Romanticism: Ingres 307
- 62. Neoclassicism in America 311
- 63. Rodin 319
- 64. The Twentieth Century 321
- 65. Maillol 324
- 66. Picasso 326
- 67. Henry Moore 330
- 68. De Chirico 333
- 69. Epilogue 338
- Bibliography 341
- Notes 351
- Register of Places 363
- Index 367
- ILLUSTRATIONS 381