The Island
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Nicholas Jenkins
About this book
A Times Literary Supplement Best Book of the Year
A Spectator Book of the Year
A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.
W. H. Auden’s early works, from his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, are prized for their psychological depth. Yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity.
The Island presents a new picture of Auden as he explored a genteel, lyrical nationalism in response to World War I. Amid artists’ and intellectuals’ “rediscovery” of England’s rural landscapes, Auden’s poems reflect on a world in ruins while cultivating visions of a beautiful—if morally compromised—English isle. They also speak to aspects of Auden’s personal search for belonging, including his negotiation of the codes that structured gay life.
As Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of Auden’s early works and a striking parable about the politics of modernism.
Reviews
-- Alan Jacobs Hedgehog Review
-- Richard Davenport-Hines Times Literary Supplement
-- David Mason Hudson Review
-- Seamus Perry Times Literary Supplement
-- James Chappel Commonweal
-- Sam Leith The Spectator
-- Andrew Motion New Statesman
-- Declan Ryan Poetry Foundation
-- Jeremy Noel-Tod The Prospect
-- Jeffrey Meyers The Article
-- Mary Jo Salter Sewanee Review
-- Kirkus Reviews (starred review)
-- Brendan Driscoll Booklist
-- Publishers Weekly
-- Steve Donoghue Open Letters Review
-- Edward Mendelson, author of Early Auden and Later Auden
-- Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath
-- Edmund White, author of The Humble Lover
-- Mary V. Dearborn, author of Ernest Hemingway: A Biography
Topics
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Frontmatter
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Contents
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Chronology
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PROLOGUE: CALIBAN’S ISLAND
1 - PART ONE Marsh
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1 THE HISTORICAL CHILD: MUSIC, WAR, AND SEX, 1907–1922
39 - PART TWO Moor
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2 MINING THE COUNTRYSIDE: HAUNTED PASTORALISM, 1922–1925
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3 THE RHINO AND THE CHILD: ABJECT MODERNISM, 1925–1927
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4 THE ENGLISH KEYNOTE: VIOLENT WORDS, 1927–1928
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5 STRANGE MEETINGS: ENGLISH IN GERMANY, 1928–1929
247 - PART THREE Garden
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6 THE ENGLISH CELL: DREAMS AND VISIONS, 1929–1932
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7 THE FLOOD: FEAR AND LOVE, 1932–1935
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8 IMAGES IN THE DARK: PROPHECIES AND CHANGE, 1935–1936
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EPILOGUE: THE ISLAND’S CALIBAN
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Explanation of Auden’s: Texts and Editions
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Abbreviations
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Notes
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Credits and Permissions
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Acknowledgments
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Index to Auden’s Titles and First Lines
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General Index
705