Chapter
Licensed
Unlicensed
Requires Authentication
1 The Bernhardt Effect: Self-Advertising and the Age of Spectacle
-
Susan A. Glenn
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
- 1 The Bernhardt Effect: Self-Advertising and the Age of Spectacle 9
- 2 Mirth and Girth: The Politics of Comedy 40
- 3 The Strong Personality: Female Mimics and the Play of the Self 74
- 4 The Americanization of Salome: Sexuality, Race, and the Careers of the Vulgar Princess 96
- 5 “The Eyes of the Enemy”: Female Activism and the Paradox of Theater 126
- 6 “Nationally Advertised Legs”: How Broadway Invented “The Girls” 155
- 7 “Like All the Rest of Womankind Only More So”: The Chorus Girl Problem and American Culture 188
- Conclusion: The Legacy of Female Spectacle 216
- Abbreviations 226
- Notes 227
- Acknowledgments 275
- Index 277
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
- 1 The Bernhardt Effect: Self-Advertising and the Age of Spectacle 9
- 2 Mirth and Girth: The Politics of Comedy 40
- 3 The Strong Personality: Female Mimics and the Play of the Self 74
- 4 The Americanization of Salome: Sexuality, Race, and the Careers of the Vulgar Princess 96
- 5 “The Eyes of the Enemy”: Female Activism and the Paradox of Theater 126
- 6 “Nationally Advertised Legs”: How Broadway Invented “The Girls” 155
- 7 “Like All the Rest of Womankind Only More So”: The Chorus Girl Problem and American Culture 188
- Conclusion: The Legacy of Female Spectacle 216
- Abbreviations 226
- Notes 227
- Acknowledgments 275
- Index 277