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12 Rita Moreno’s Hair
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Priscilla Peña Ovalle
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Introduction 1
-
Part 1. HOLLYWOOD FORMULAS
- 1 Daydreams of Society 21
- 2 The Death of Lon Chaney 39
- 3 MGM’s Sleeping Lion 58
- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings 84
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Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD
- 5 “A Queer, Strangled Look” 105
- 6 By Herself 122
- 7 Disruptive Mother-Daughter Relationships 141
- 8 The Egotistical Sublime 159
-
Part 3. RACE AND ETHNICITY IN POST–WORLD WAR II HOLLYWOOD
- 9 Women and Class Mobility in Classical Hollywood’s Immigrant Dramas 179
- 10 Hawai‘i Statehood, Indigeneity, and Go for Broke! (1951) 195
- 11 Savage Whiteness 214
- 12 Rita Moreno’s Hair 231
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Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE
- 13 “Everything Glee in ‘America’ ” 249
- 14 Hip-Hop “Hearts” Ballet 266
- 15 Fakin’ da Funk (1997) and Gook (2017) 283
- 16 “Let Us Roam the Night Together” 301
- Acknowledgments 319
- Bibliography 321
- Notes on Contributors 337
- Index 341
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Introduction 1
-
Part 1. HOLLYWOOD FORMULAS
- 1 Daydreams of Society 21
- 2 The Death of Lon Chaney 39
- 3 MGM’s Sleeping Lion 58
- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings 84
-
Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD
- 5 “A Queer, Strangled Look” 105
- 6 By Herself 122
- 7 Disruptive Mother-Daughter Relationships 141
- 8 The Egotistical Sublime 159
-
Part 3. RACE AND ETHNICITY IN POST–WORLD WAR II HOLLYWOOD
- 9 Women and Class Mobility in Classical Hollywood’s Immigrant Dramas 179
- 10 Hawai‘i Statehood, Indigeneity, and Go for Broke! (1951) 195
- 11 Savage Whiteness 214
- 12 Rita Moreno’s Hair 231
-
Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE
- 13 “Everything Glee in ‘America’ ” 249
- 14 Hip-Hop “Hearts” Ballet 266
- 15 Fakin’ da Funk (1997) and Gook (2017) 283
- 16 “Let Us Roam the Night Together” 301
- Acknowledgments 319
- Bibliography 321
- Notes on Contributors 337
- Index 341