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Italian Neorealism
This chapter is in the book Italian Neorealism
NotesIntroduction1See, for instance, Millicent Marcus, Italian Film in the Light of Neorealism(Princeton, NJ: Princeton University Press, 1986), xvii; Gian Piero Brunetta, “Cinema italiano dal neorealismo alla ‘Dolce vita,’” in Storia del cinema mondiale, vol. 3, tome 1, L’Europa: Le cinematografie nazionali, ed. Gian Piero Brunetta (Turin: Einaudi, 2000), 583–612 (593); Christopher Wagstaff, Italian Neorealist Cinema: An Aesthetic Approach (Toronto: University of Toronto Press, 2007), 402–5.2See, for instance, Luciano Caramel, “La questione del realismo e i realismi nella pittura e nella scultura del secondo dopoguerra,” in Realismi: Arti figurative, letteratura e cinema in Italia dal 1943 al 1953, ed. Luciano Caramel (Milan: Electa, 2001), 22–35; Emanuela Garrone, Realismo neorealismo e altre storie (Milan and Udine: Mimesi Edizioni, 2015); Antonella Russo, Storia culturale della fotografia italiana: Dal neorealismo al postmoderno (Turin: Einaudi, 2011), 9–10; Barbara Grespi, “Italian Neo-Realism between Cinema and Photography,” in Stillness in Motion: Italy, Photography, and the Meanings of Modernity, ed. Sarah Patricia Hill and Giuliana Minghelli (Toronto: University of Toronto Press, 2014), 183–216.3See, for instance, Vittorio Magnano Lampugnani, “The Myth of Reality: Notes on Neorealism in Italy 1946–1956,” in Architecture and Arts 1990/2004: A Century of Creative Projects in Building, Design, Cinema, Painting, Sculpture, ed. Germano Celant (Milan: Skira, 2004), 75–9; Enrico Bascherini, Da pagano al neorealismo: Le radici minori dell’architet-tura moderna (Patti Messina: Casa Editrice Kimerik, 2013); Maristella Casciato, “Neorealism in Italian Architecture,” in Anxious Modernisms: Experimentations in Postwar Architectural Culture, ed. Sarah Williams Goldhagen and Réjean Legault (Cambridge, MA: MIT Press, 2000), 25–53; David Escudero, “Beyond Filmmaking: Searching for a Neorealist
© 2020 University of Toronto Press, Toronto

NotesIntroduction1See, for instance, Millicent Marcus, Italian Film in the Light of Neorealism(Princeton, NJ: Princeton University Press, 1986), xvii; Gian Piero Brunetta, “Cinema italiano dal neorealismo alla ‘Dolce vita,’” in Storia del cinema mondiale, vol. 3, tome 1, L’Europa: Le cinematografie nazionali, ed. Gian Piero Brunetta (Turin: Einaudi, 2000), 583–612 (593); Christopher Wagstaff, Italian Neorealist Cinema: An Aesthetic Approach (Toronto: University of Toronto Press, 2007), 402–5.2See, for instance, Luciano Caramel, “La questione del realismo e i realismi nella pittura e nella scultura del secondo dopoguerra,” in Realismi: Arti figurative, letteratura e cinema in Italia dal 1943 al 1953, ed. Luciano Caramel (Milan: Electa, 2001), 22–35; Emanuela Garrone, Realismo neorealismo e altre storie (Milan and Udine: Mimesi Edizioni, 2015); Antonella Russo, Storia culturale della fotografia italiana: Dal neorealismo al postmoderno (Turin: Einaudi, 2011), 9–10; Barbara Grespi, “Italian Neo-Realism between Cinema and Photography,” in Stillness in Motion: Italy, Photography, and the Meanings of Modernity, ed. Sarah Patricia Hill and Giuliana Minghelli (Toronto: University of Toronto Press, 2014), 183–216.3See, for instance, Vittorio Magnano Lampugnani, “The Myth of Reality: Notes on Neorealism in Italy 1946–1956,” in Architecture and Arts 1990/2004: A Century of Creative Projects in Building, Design, Cinema, Painting, Sculpture, ed. Germano Celant (Milan: Skira, 2004), 75–9; Enrico Bascherini, Da pagano al neorealismo: Le radici minori dell’architet-tura moderna (Patti Messina: Casa Editrice Kimerik, 2013); Maristella Casciato, “Neorealism in Italian Architecture,” in Anxious Modernisms: Experimentations in Postwar Architectural Culture, ed. Sarah Williams Goldhagen and Réjean Legault (Cambridge, MA: MIT Press, 2000), 25–53; David Escudero, “Beyond Filmmaking: Searching for a Neorealist
© 2020 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. What Was Neorealism? 14
  6. 2. “Renewal through Conservation”: Neorealism after Fascism 49
  7. 3. “Chronicle and Tragedy”: The Neorealist Representation of History 85
  8. 4. “From I to We ”: Neorealism’s Choral Politics 128
  9. Conclusion 171
  10. Notes 179
  11. Bibliography 249
  12. Index 303
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https://doi.org/10.3138/9781487535575-008

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. What Was Neorealism? 14
  6. 2. “Renewal through Conservation”: Neorealism after Fascism 49
  7. 3. “Chronicle and Tragedy”: The Neorealist Representation of History 85
  8. 4. “From I to We ”: Neorealism’s Choral Politics 128
  9. Conclusion 171
  10. Notes 179
  11. Bibliography 249
  12. Index 303
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