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Sharing the Past
This chapter is in the book Sharing the Past
IndexAbel, Jordan, 251Abrams, M.H., 257n2Acorn, Milton, 50Adams, Howard, 217, 272n18Akiwenzie-Damm, Kateri, 213, 243, 270n9Allen, Elizabeth, 70American Indian Movement, 215Andersen, Chris, 269n8Anderson, Kim, 273n25Anderson, Mark Cronlund, 274n38Angus Reid Institute, 226Ankersmit, Frank, 116Armstrong, Jeannette, 213Assembly of First Nations, 209Attridge, Robert, 176Atwood, Margaret: “After the Flood, We,” 184; Alias Grace, 267n9; “Alternate Thoughts from Underground,” 196; “A Bus Along St. Clair: December,” 186,196–7; The Circle Game, 194, 195;“The Circle Game,” 184, 185;and colonialism, 206; critical reception of, 26, 187, 197–202,267n6; “Daguerreotype Taken in Old Age,” 195; “Death of a Young Son by Drowning,” 192, 193–4;“Departure from the Bush,” 194; Double Persephone, 195; “The Double Voice,” 190–1; early writing career of, 182–4; The Edible Woman, 195; and family history, 178–80,239, 266n1; and feminism, 29,178–9, 182, 186–9, 194, 197, 255n8, 267n3; “First Neighbours,” 195; and foremothers, search for, 29, 189, 250; “A Fortification,” 184–5; and Frygean writing, 183–6,192, 197, 208–9; “Further Arrivals,” 195; historical writing, comments on, 243; The Journals of Susanna Moodie, 29, 178, 183, 188–90, 196,197, 202, 204–6, 208–9, 227, 234,239, 241, 267n5, 267n7, 268n10; influence on other writers, 197–202,204–5, 208, 268n12, 268n13, 268n14; and lyric duality, 190–5, 267n7; and modernism, 12; Morning in the Burned House, 179; and nationalism, 178, 188, 197; “Paths and Thingscape,” 239; “The Planters,” 185; poetic/photographic images, use of, 183–4, 189; “Progressive Insanities of a Pioneer,” 184,185, 209; and scepticism, 190;“Solipsism While Dying,” 195;“Some Objects of Wood and
© 2019 University of Toronto Press, Toronto

IndexAbel, Jordan, 251Abrams, M.H., 257n2Acorn, Milton, 50Adams, Howard, 217, 272n18Akiwenzie-Damm, Kateri, 213, 243, 270n9Allen, Elizabeth, 70American Indian Movement, 215Andersen, Chris, 269n8Anderson, Kim, 273n25Anderson, Mark Cronlund, 274n38Angus Reid Institute, 226Ankersmit, Frank, 116Armstrong, Jeannette, 213Assembly of First Nations, 209Attridge, Robert, 176Atwood, Margaret: “After the Flood, We,” 184; Alias Grace, 267n9; “Alternate Thoughts from Underground,” 196; “A Bus Along St. Clair: December,” 186,196–7; The Circle Game, 194, 195;“The Circle Game,” 184, 185;and colonialism, 206; critical reception of, 26, 187, 197–202,267n6; “Daguerreotype Taken in Old Age,” 195; “Death of a Young Son by Drowning,” 192, 193–4;“Departure from the Bush,” 194; Double Persephone, 195; “The Double Voice,” 190–1; early writing career of, 182–4; The Edible Woman, 195; and family history, 178–80,239, 266n1; and feminism, 29,178–9, 182, 186–9, 194, 197, 255n8, 267n3; “First Neighbours,” 195; and foremothers, search for, 29, 189, 250; “A Fortification,” 184–5; and Frygean writing, 183–6,192, 197, 208–9; “Further Arrivals,” 195; historical writing, comments on, 243; The Journals of Susanna Moodie, 29, 178, 183, 188–90, 196,197, 202, 204–6, 208–9, 227, 234,239, 241, 267n5, 267n7, 268n10; influence on other writers, 197–202,204–5, 208, 268n12, 268n13, 268n14; and lyric duality, 190–5, 267n7; and modernism, 12; Morning in the Burned House, 179; and nationalism, 178, 188, 197; “Paths and Thingscape,” 239; “The Planters,” 185; poetic/photographic images, use of, 183–4, 189; “Progressive Insanities of a Pioneer,” 184,185, 209; and scepticism, 190;“Solipsism While Dying,” 195;“Some Objects of Wood and
© 2019 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Abbreviations xi
  5. Introduction 1
  6. 1. Al Purdy’s Modern Scepticism 31
  7. 2. Developing a Lyric Historiography 49
  8. 3. Lyric and Regionalism: Challenging Histories, Part 1 67
  9. 4. The Métis Uprisings: Challenging Histories, Part 2 91
  10. 5. Inheriting the Past 114
  11. 6. The “Edge of the Photograph”: Developmental Long Poems 133
  12. 7. Sharing Authority 154
  13. 8. Figurative Families and Feminism 178
  14. 9. Indigeneity and Performance: The Fictions of Nations 203
  15. 10. The Future of History 238
  16. Notes 253
  17. Works Cited 277
  18. Index 309
Readers are also interested in:
https://doi.org/10.3138/9781487512323-016

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Abbreviations xi
  5. Introduction 1
  6. 1. Al Purdy’s Modern Scepticism 31
  7. 2. Developing a Lyric Historiography 49
  8. 3. Lyric and Regionalism: Challenging Histories, Part 1 67
  9. 4. The Métis Uprisings: Challenging Histories, Part 2 91
  10. 5. Inheriting the Past 114
  11. 6. The “Edge of the Photograph”: Developmental Long Poems 133
  12. 7. Sharing Authority 154
  13. 8. Figurative Families and Feminism 178
  14. 9. Indigeneity and Performance: The Fictions of Nations 203
  15. 10. The Future of History 238
  16. Notes 253
  17. Works Cited 277
  18. Index 309
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