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Index
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction: Planetary Engagement, the Historical Avant-Garde, and Iberian Colonialism (1909–1929) 3
- 1. The Geographies and Temporalities of Futurism: Almada Negreiros, Portuguese Modernismo, and European Colonialism in Africa 24
- 2. Placing Vicente Huidobro within the Historical Avant-Garde: Experimental Poetics and the Planetary Critique of European Historicism 56
- 3. Away from Montmartre: Blaise Cendrars, Tarsila do Amaral, and the Travel Notes of the Historical Avant-Garde 86
- 4. The Spectre of Translation: Angela Manalang Gloria, José Garcia Villa, Claro Recto, and the Comparative Poetics of Modernism in the Philippines 121
- Coda: Ludwig Mies van der Rohe, Lilly Reich, and the Barcelona World’s Fair of 1929: Experimental Form as Network and the Traditionalist Politics of Empire 151
- Notes 173
- Bibliography 207
- Index 221
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction: Planetary Engagement, the Historical Avant-Garde, and Iberian Colonialism (1909–1929) 3
- 1. The Geographies and Temporalities of Futurism: Almada Negreiros, Portuguese Modernismo, and European Colonialism in Africa 24
- 2. Placing Vicente Huidobro within the Historical Avant-Garde: Experimental Poetics and the Planetary Critique of European Historicism 56
- 3. Away from Montmartre: Blaise Cendrars, Tarsila do Amaral, and the Travel Notes of the Historical Avant-Garde 86
- 4. The Spectre of Translation: Angela Manalang Gloria, José Garcia Villa, Claro Recto, and the Comparative Poetics of Modernism in the Philippines 121
- Coda: Ludwig Mies van der Rohe, Lilly Reich, and the Barcelona World’s Fair of 1929: Experimental Form as Network and the Traditionalist Politics of Empire 151
- Notes 173
- Bibliography 207
- Index 221