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East Main Street
This chapter is in the book East Main Street
© 2020 New York University Press, New York, USA

© 2020 New York University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments ix
  4. Foreword xi
  5. Introduction 1
  6. Part I: Globalization and Local Identities
  7. 1. Trance-Formations: Orientalism and Cosmopolitanism in Youth Culture 13
  8. 2. Making Transnational Vietnamese Music: Sounds of Home and Resistance 32
  9. 3. Planet Bollywood: Indian Cinema Abroad 55
  10. 4. Model Minorities Can Cook: Fusion Cuisine in Asian America 72
  11. 5. “Pappy’s house”: “Pop” Culture and the Revaluation of a Filipino American “Sixty-Cents” in Guam 95
  12. Part II: Cultural Legacy and Memories
  13. 6. “Within Each Crack/A Story”: The Political Economy of Queering Filipino American Pasts 117
  14. 7. “A Woman Is Nothing”: Valuing the Modern Chinese Woman’s Epic Journey to the West 137
  15. 8. Between Yellowphilia and Yellowphobia: Ethnic Stardom and the (Dis)Orientalized Romantic Couple in Daughter of Shanghai and King of Chinatown 154
  16. 9. Whose Paradise? Hawai‘i, Desire, and the Global-Local Tensions of Popular Culture 183
  17. 10. Miss Cherry Blossom Meets Mainstream America 204
  18. 11. How to Rehabilitate a Mulatto: The Iconography of Tiger Woods 222
  19. Part III. Ethnicity and Identification
  20. 12. Bruce Lee in the Ghetto Connection: Kung Fu Theater and African Americans Reinventing Culture at the Margins 249
  21. 13. “Alllooksame”? Mediating Asian American Visual Cultures of Race on the Web 262
  22. 14. Guilty Pleasures: Keanu Reeves, Superman, and Racial Outing 273
  23. 15. Cibo Matto’s Stereotype A: Articulating Asian American Hip Pop 292
  24. 16. Apu’s Brown Voice: Cultural Inflection and South Asian Accents 313
  25. 17. Secret Asian Man: Angry Asians and the Politics of Cultural Visibility 337
  26. About the Contributors 361
  27. Index 365
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