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How to Watch Television, Second Edition
This chapter is in the book How to Watch Television, Second Edition
© 2020 New York University Press, New York, USA

© 2020 New York University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface to the Second Edition ix
  4. Introduction: An Owner’s Manual for Television 1
  5. Part I. TV Form: Aesthetics and Style
  6. 1. Better Call Saul: The Prestige Spinoff 13
  7. 2. Empire: Fashioning Blackness 23
  8. 3. House : Narrative Complexity 32
  9. 4. Looking : Smartphone Aesthetics 41
  10. 5. Mad Men: Visual Style 51
  11. 6. Nip/Tuck : Popular Music 61
  12. 7. One Life to Live : Soap Opera Storytelling 70
  13. 8. The Sopranos : Episodic Storytelling 79
  14. Part II. TV Representation: Social Identity and Cultural Politics
  15. 9. 24 : Challenging Stereotypes 91
  16. 10. Bala Loca : Producing Representations 99
  17. 11. Being Mary Jane : Cultural Specificity 108
  18. 12. Buckwild : Performing Whiteness 117
  19. 13. Glee/House Hunters International : Gay Narratives 126
  20. 14. Grey’s Anatomy : Feminism 135
  21. 15. Master of None : Negotiated Decoding 144
  22. 16. Orange Is the New Black : Intersectional Analysis 153
  23. Part III. TV Politics: Democracy, Nation, and the Public Interest
  24. 17. The Amazing Race : Global Othering 165
  25. 18. America’s Next Top Model : Neoliberal Labor 174
  26. 19. East Los High : Televised Empowerment 183
  27. 20. The Eurovision Song Contest : Queer Nationalism 193
  28. 21. Fox & Friends : Political Talk 203
  29. 22. Full Frontal with Samantha Bee : Feminist Comedy 213
  30. 23. The Hunt with John Walsh : True Crime Storytelling 221
  31. 24. Parks and Recreation : The Cultural Forum 230
  32. Part IV. TV Industry: Industrial Practices and Structures
  33. 25. The Ernie Kovacs Show : Historicizing Comedy 241
  34. 26. Gilmore Girls: A Year in the Life : TV Revivals 250
  35. 27. I Love Lucy : The Writer- Producer 260
  36. 28. Modern Family : Product Placement 269
  37. 29. The Real Housewives of Beverly Hills : Franchising Femininity 278
  38. 30. Roseanne : Programming Flow 287
  39. 31. Tales from the Crypt : Content Regulation 297
  40. 32. The Toy Box : Transmedia and Transgenerational Marketing 307
  41. Part V. TV Practices: Medium, Technology, and Everyday Life
  42. 33. Battlestar Galactica : Fans and Ancillary Content 319
  43. 34. Everyday Italian : Cultivating Taste 329
  44. 35. Gossip Girl : Transmedia Technologies 337
  45. 36. High Maintenance and The Misadventures of Awkward Black Girl : Indie TV 346
  46. 37. Monty Python’s Flying Circus : Layered Comedy 355
  47. 38. NFL Broadcasts: Interpretive Communities 363
  48. 39. Pardon the Interruption : Sports Debate 372
  49. 40. The Walking Dead : Adapting Comics 382
  50. Acknowledgments 391
  51. About the Contributors 393
  52. Index 401
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