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Chapters in this book
- Frontmatter i
- Contents v
- Preface to the Second Edition ix
- Introduction: An Owner’s Manual for Television 1
-
Part I. TV Form: Aesthetics and Style
- 1. Better Call Saul: The Prestige Spinoff 13
- 2. Empire: Fashioning Blackness 23
- 3. House : Narrative Complexity 32
- 4. Looking : Smartphone Aesthetics 41
- 5. Mad Men: Visual Style 51
- 6. Nip/Tuck : Popular Music 61
- 7. One Life to Live : Soap Opera Storytelling 70
- 8. The Sopranos : Episodic Storytelling 79
-
Part II. TV Representation: Social Identity and Cultural Politics
- 9. 24 : Challenging Stereotypes 91
- 10. Bala Loca : Producing Representations 99
- 11. Being Mary Jane : Cultural Specificity 108
- 12. Buckwild : Performing Whiteness 117
- 13. Glee/House Hunters International : Gay Narratives 126
- 14. Grey’s Anatomy : Feminism 135
- 15. Master of None : Negotiated Decoding 144
- 16. Orange Is the New Black : Intersectional Analysis 153
-
Part III. TV Politics: Democracy, Nation, and the Public Interest
- 17. The Amazing Race : Global Othering 165
- 18. America’s Next Top Model : Neoliberal Labor 174
- 19. East Los High : Televised Empowerment 183
- 20. The Eurovision Song Contest : Queer Nationalism 193
- 21. Fox & Friends : Political Talk 203
- 22. Full Frontal with Samantha Bee : Feminist Comedy 213
- 23. The Hunt with John Walsh : True Crime Storytelling 221
- 24. Parks and Recreation : The Cultural Forum 230
-
Part IV. TV Industry: Industrial Practices and Structures
- 25. The Ernie Kovacs Show : Historicizing Comedy 241
- 26. Gilmore Girls: A Year in the Life : TV Revivals 250
- 27. I Love Lucy : The Writer- Producer 260
- 28. Modern Family : Product Placement 269
- 29. The Real Housewives of Beverly Hills : Franchising Femininity 278
- 30. Roseanne : Programming Flow 287
- 31. Tales from the Crypt : Content Regulation 297
- 32. The Toy Box : Transmedia and Transgenerational Marketing 307
-
Part V. TV Practices: Medium, Technology, and Everyday Life
- 33. Battlestar Galactica : Fans and Ancillary Content 319
- 34. Everyday Italian : Cultivating Taste 329
- 35. Gossip Girl : Transmedia Technologies 337
- 36. High Maintenance and The Misadventures of Awkward Black Girl : Indie TV 346
- 37. Monty Python’s Flying Circus : Layered Comedy 355
- 38. NFL Broadcasts: Interpretive Communities 363
- 39. Pardon the Interruption : Sports Debate 372
- 40. The Walking Dead : Adapting Comics 382
- Acknowledgments 391
- About the Contributors 393
- Index 401
Chapters in this book
- Frontmatter i
- Contents v
- Preface to the Second Edition ix
- Introduction: An Owner’s Manual for Television 1
-
Part I. TV Form: Aesthetics and Style
- 1. Better Call Saul: The Prestige Spinoff 13
- 2. Empire: Fashioning Blackness 23
- 3. House : Narrative Complexity 32
- 4. Looking : Smartphone Aesthetics 41
- 5. Mad Men: Visual Style 51
- 6. Nip/Tuck : Popular Music 61
- 7. One Life to Live : Soap Opera Storytelling 70
- 8. The Sopranos : Episodic Storytelling 79
-
Part II. TV Representation: Social Identity and Cultural Politics
- 9. 24 : Challenging Stereotypes 91
- 10. Bala Loca : Producing Representations 99
- 11. Being Mary Jane : Cultural Specificity 108
- 12. Buckwild : Performing Whiteness 117
- 13. Glee/House Hunters International : Gay Narratives 126
- 14. Grey’s Anatomy : Feminism 135
- 15. Master of None : Negotiated Decoding 144
- 16. Orange Is the New Black : Intersectional Analysis 153
-
Part III. TV Politics: Democracy, Nation, and the Public Interest
- 17. The Amazing Race : Global Othering 165
- 18. America’s Next Top Model : Neoliberal Labor 174
- 19. East Los High : Televised Empowerment 183
- 20. The Eurovision Song Contest : Queer Nationalism 193
- 21. Fox & Friends : Political Talk 203
- 22. Full Frontal with Samantha Bee : Feminist Comedy 213
- 23. The Hunt with John Walsh : True Crime Storytelling 221
- 24. Parks and Recreation : The Cultural Forum 230
-
Part IV. TV Industry: Industrial Practices and Structures
- 25. The Ernie Kovacs Show : Historicizing Comedy 241
- 26. Gilmore Girls: A Year in the Life : TV Revivals 250
- 27. I Love Lucy : The Writer- Producer 260
- 28. Modern Family : Product Placement 269
- 29. The Real Housewives of Beverly Hills : Franchising Femininity 278
- 30. Roseanne : Programming Flow 287
- 31. Tales from the Crypt : Content Regulation 297
- 32. The Toy Box : Transmedia and Transgenerational Marketing 307
-
Part V. TV Practices: Medium, Technology, and Everyday Life
- 33. Battlestar Galactica : Fans and Ancillary Content 319
- 34. Everyday Italian : Cultivating Taste 329
- 35. Gossip Girl : Transmedia Technologies 337
- 36. High Maintenance and The Misadventures of Awkward Black Girl : Indie TV 346
- 37. Monty Python’s Flying Circus : Layered Comedy 355
- 38. NFL Broadcasts: Interpretive Communities 363
- 39. Pardon the Interruption : Sports Debate 372
- 40. The Walking Dead : Adapting Comics 382
- Acknowledgments 391
- About the Contributors 393
- Index 401