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Acknowledgments

  • Shanté Paradigm Smalls
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Hip Hop Heresies
This chapter is in the book Hip Hop Heresies
© 2022 New York University Press, New York, USA

© 2022 New York University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Introduction: Heretical Desire: New York City’s Queer Hip Hop Aesthetics 1
  4. 1 Wild Stylin’: Martin Wong’s Queer Visuality in New York City Graffiti 25
  5. 2 Nigga Fu: The Last Dragon, Black Masculinity, and Chinese Martial Arts 53
  6. 3 “Casebaskets” Listening for the Uncanny in Jean Grae 87
  7. 4 Queer Hip Hop, Queer Dissonance 123
  8. Conclusion: Queer Trans Black Aesthetic Futures 151
  9. Acknowledgments 159
  10. Notes 165
  11. Index 191
  12. About the Author 201
https://doi.org/10.18574/nyu/9781479808212-007

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Introduction: Heretical Desire: New York City’s Queer Hip Hop Aesthetics 1
  4. 1 Wild Stylin’: Martin Wong’s Queer Visuality in New York City Graffiti 25
  5. 2 Nigga Fu: The Last Dragon, Black Masculinity, and Chinese Martial Arts 53
  6. 3 “Casebaskets” Listening for the Uncanny in Jean Grae 87
  7. 4 Queer Hip Hop, Queer Dissonance 123
  8. Conclusion: Queer Trans Black Aesthetic Futures 151
  9. Acknowledgments 159
  10. Notes 165
  11. Index 191
  12. About the Author 201
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