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15. Amazon and Automated Recommendations: Distribution and Discovery in the Book Trade

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Digital Media Distribution
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29515Amazon and Automated RecommendationsDistribution and Discovery in the Book TradeJulian ThomasThe “digital age” in books once offered a familiar promise, a future where the restrictions of commerce on the circulation of books would evaporate. The first public “digital library” may have been Project Gutenberg, created in 1971 at the University of Illinois by the futurist technologist Michael Hart, also an early pioneer of electronic books. Hart believed in the “unlimited distribution” of books (Economist 2011). On his death in 2011, his friend Gregory Newby observed that the “invention of e-books was not simply a technological innovation or precursor to the modern information environment. A more correct understanding is that e-books are an effi-cient and effective way of unlimited free distribution of literature” (Newby 2011). That promise remains utopian in the present world of books, where dramatic and unexpected change occurs alongside surprising continuities.The successes and failures of the e-book over several decades exem-plify the complexities of current book distribution. Digital book formats have found new markets, but rather than enabling unlimited distribu-tion, many of them have been designed to make sharing or reselling more difficult than for print formats. At the same time, there is now reason to question the assumption that the e-book represents the book’s inevitable digital future. In the United States, industry statistics based on publishers’ sales report that e-book revenues fell by 3.8 percent in the year to August 2019, as revenue for paper formats increased by 2.5 per-cent (Association of American Publishers [AAP] 2019b). (These figures do not include sales of self-published works on Amazon and other sites.) In the United Kingdom, Publishers Association figures for 2014–18 sug-gest several significant trends: slowly declining e-book sales, growing physical book sales over four years before a decline in 2018, and the
© 2021 New York University Press, New York, USA

29515Amazon and Automated RecommendationsDistribution and Discovery in the Book TradeJulian ThomasThe “digital age” in books once offered a familiar promise, a future where the restrictions of commerce on the circulation of books would evaporate. The first public “digital library” may have been Project Gutenberg, created in 1971 at the University of Illinois by the futurist technologist Michael Hart, also an early pioneer of electronic books. Hart believed in the “unlimited distribution” of books (Economist 2011). On his death in 2011, his friend Gregory Newby observed that the “invention of e-books was not simply a technological innovation or precursor to the modern information environment. A more correct understanding is that e-books are an effi-cient and effective way of unlimited free distribution of literature” (Newby 2011). That promise remains utopian in the present world of books, where dramatic and unexpected change occurs alongside surprising continuities.The successes and failures of the e-book over several decades exem-plify the complexities of current book distribution. Digital book formats have found new markets, but rather than enabling unlimited distribu-tion, many of them have been designed to make sharing or reselling more difficult than for print formats. At the same time, there is now reason to question the assumption that the e-book represents the book’s inevitable digital future. In the United States, industry statistics based on publishers’ sales report that e-book revenues fell by 3.8 percent in the year to August 2019, as revenue for paper formats increased by 2.5 per-cent (Association of American Publishers [AAP] 2019b). (These figures do not include sales of self-published works on Amazon and other sites.) In the United Kingdom, Publishers Association figures for 2014–18 sug-gest several significant trends: slowly declining e-book sales, growing physical book sales over four years before a decline in 2018, and the
© 2021 New York University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. List of Figures ix
  4. Introduction: Media Distribution Today 1
  5. Section 1: Conceptualizing Distribution and Circulation
  6. 1. Points of Origin: Asking Questions in Distribution Research 27
  7. 2. Media Circulation: Reconceptualizing Television Distribution and Exhibition 47
  8. 3. Reassessing the “Space in Between”: Distribution Studies in Transition 67
  9. 4. Disingenuous Intermediaries: The Gatekeeping Power of Distributors and Publishers 87
  10. 5. The Circulation Game: Shifting Production Logics and Circulation Moments in the Digital Games Industry 107
  11. 6. Questioning the Content Supply Model: A Provocation 126
  12. Section 2: Distribution Ecosystems and Cultures
  13. 7. “Tech- Tonic” Shifts: The U.S. and China Models of Online Screen Distribution 145
  14. 8. Language, Culture, and Streaming Video in India: The Pragmatics and Politics of Media Distribution 164
  15. 9. “Sorry about That”: Hopes and Promises of Geoblocking’s End 183
  16. 10. Global TV Markets and Digital Distribution 202
  17. 11. Children’s Television in an Era of Digital Distribution: Arab and European Responses 222
  18. 12. Distribution, Infrastructure, and Markets: SVOD Services in Latin America 242
  19. 13. VOD: Formal Challengers for Nollywood’s Informal Domestic Market 259
  20. 14. The King Is Dead, Long Live the Algorithm: MindGeek and the Digital Distribution of Adult Film 277
  21. 15. Amazon and Automated Recommendations: Distribution and Discovery in the Book Trade 295
  22. 16. Free, Bundled, or Personalized? Rethinking Price and Value in Digital Distribution 314
  23. 17. “Every Day Should Be a Holiday”: Black Friday and the Importance of Retail in the Circulation of Media 335
  24. Acknowledgments 353
  25. Contributors 355
  26. Index 363
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