8. Transatlantic or Anglo-American Corwin?

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. Foreword vii
4. Acknowledgments xi
5. Introduction: Anatomy of Anatomy of Sound 1
6. A Corwinography 13
7. PART ONE. VOICE: NORMAN CORWIN AS SOUND AUTEUR
8. 1. Radio’s “Oblong Blur”: On the Corwinesque in the Critical Ear 37
9. 2. Norman Corwin and the Blacklist 53
10. 3. Norman Corwin and the Big Screen: Artistic Differences 74
11. PART TWO. SOUND: CORWIN AND TRANSMEDIA AUTHORSHIP
12. 4. Norman Corwin’s Radio Realism 101
13. 5. Corwin on Television: A Transmedia Approach to Style Historiography 127
14. 6. Media Primer: Norman Corwin’s Radio Juvenilia 151
15. 7. Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin’s Theatre of Sound 171
16. PART THREE. EAR: ON CORWIN’S INFLUENCE
17. 8. Transatlantic or Anglo-American Corwin? 195
18. 9. The Odyssey of Me and Norman Corwin 211
19. 10. Wondering about Radiolab: Th e Contradictory Legacy of Corwin in Contemporary “Screen Radio” 233
20. Contributors 253