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Frontmatter
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Christopher Beach
Christopher BeachSearch for this author in:
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments xi
- Introduction 1
- 1. Pioneers in Babylon: D. W. Griffith and Billy Bitzer 19
- 2. Rebel with a Camera: Gregg Toland, William Wyler, and the Development of Deep-Focus Technique 55
- 3. Peering into Corners: Billy Wilder, John Seitz, and the Visual Style of Film Noir 86
- 4. The Color of Suspense: Alfred Hitchcock and Robert Burks 115
- 5. What Rule Are You Breaking? Collaborating in the New Hollywood 140
- 6. Cinematography, Craft, and Collaboration in the Digital Age 163
- Notes 179
- Works Cited 213
- Index 225
Readers are also interested in:
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments xi
- Introduction 1
- 1. Pioneers in Babylon: D. W. Griffith and Billy Bitzer 19
- 2. Rebel with a Camera: Gregg Toland, William Wyler, and the Development of Deep-Focus Technique 55
- 3. Peering into Corners: Billy Wilder, John Seitz, and the Visual Style of Film Noir 86
- 4. The Color of Suspense: Alfred Hitchcock and Robert Burks 115
- 5. What Rule Are You Breaking? Collaborating in the New Hollywood 140
- 6. Cinematography, Craft, and Collaboration in the Digital Age 163
- Notes 179
- Works Cited 213
- Index 225
