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Digging
The Afro-American Soul of American Classical Music
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Amiri Baraka
Language:
English
Published/Copyright:
2009
About this book
For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous—Max Roach, Charlie Parker, Miles Davis, John Coltrane—and on those whose names are known mainly by jazz aficionados—Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging.
Author / Editor information
Baraka Amiri :
Amiri Baraka (1934-2014) was a writer and critic, the poet laureate of New Jersey, and Professor Emeritus of the State University of New York, Stony Brook. His many books include Blues People, Black Music, and The Music.
Topics
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Part One: Essays
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Part Three: Notes, Reviews, and Observations
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
May 26, 2009
eBook ISBN:
9780520943094
Pages and Images/Illustrations in book
Main content:
436
eBook ISBN:
9780520943094
Keywords for this book
african american music; african american culture; jazz music; american classical music; jazz criticism; social change; music; musical analysis; jazz; african american history; america popular song; autobiography; max roach; charlie parker; miles davis; john coltrane; alan shorter; jon jang; malachi thompson; blues aesthetic; black aesthetic; political history; rhythm; great american song book; bruce springsteen; wynton marsalis; fred hopkins; duke ellington; musicians; political commentary