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The Story of a Closet Cine-Drama . . . or . . . From Isolation to Immortality [1968]
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Robert Pike
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Announcement of Publication of Canyon Cinema News, 1962 37
- An Essay on Censorship 46
- Report from on the Road, Filming . . . [1964] 52
- Denunciation of the Ann Arbor Film Festival [1965] 54
- Letter from the Ann Arbor Film Festival, April 1, 1965 58
- On His Blindness [1965] 62
- Conversation with Edith Kramer, July 2001 63
- Letter from Chapala, Mexico, January 1967 82
- Letter from San Francisco, February 18, 1967 82
- Open Letter to Film-makers, June 12, 1967 83
- Letter [1967] 86
- Rebuttal to Robt. Nelson’s “Open Letter to Film-makers” [1967] 87
- Bruce Baillie’s Prejudiced Guide to Film Festivals [1967] 93
- Review of Sheldon Renan’s An Introduction to the American Underground Film [1967] 94
- Letter [1967] 95
- The Brussels Festival [1968] 96
- The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968] 99
- Letter from San Francisco, April 1968 101
- Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968] 102
- News from the Australian Undependents 106
- Letter to John Schofill [1968] 107
- Notes from the Creative Film Society [1968] 108
- Letter, August 6, 1968, and Emory Menefee’s response 110
- The Story of a Closet Cine-Drama . . . or . . . From Isolation to Immortality [1968] 112
- Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968] 115
- Letter, September 10 [1968] 118
- Letter, “August, Beginning of September” [1968] 119
- Letter [1969] 121
- Fan Letter to Bruce Conner [1969] 122
- Letter from Oakland, California [1969] 123
- Exchanges (Letters) [1969] 125
- Letter [1969] 126
- Letter [1970] 128
- Letter from Alabama, January 1970 130
- I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970] 131
- Letter [1970] 132
- Canyon Cinema Board of Directors’ Meeting Minutes [May 20, 1970] 132
- Letter [1970] 136
- Canyon Cinema Board of Directors’ Meeting Minutes [May 20, 1970] 138
- Right Back to the Billabong [1970] 140
- Poem [1970] 141
- Letter [1970] 142
- Letter [1972] 144
- Letter [1972] 144
- Underground Myths and Cinema Cooperative Realities (Some Concrete Policy Suggestions) [1972] 145
- Eight Drawings [1972] 149
- Whatever Became of Canyon Cinema Co-operative? [1972] 157
- Letter from Bangkok [1972] 161
- Canyon Cinema, What Next? [1973] 162
- Conversation with Diane Kitchen, March 2002 165
- Peter Kubelka at the Cinematheque, October 3, 1974 185
- Recuperating at His Forest Place in the Mountains of North Alabama, September 1974 187
- Remarks Following a Screening of The Text of Light at the San Francisco Art Institute on November 18, 1974 191
- Letter, March 1975 204
- Waiting for Godard at the Front: The Palestinian Cinema Institution [1975] 205
- How to Cope with the Question Period [1975] 209
- Australian Coop News [1975] 210
- Prayag in 35mm: The Film and Television Institute of India [1975] 212
- Chick Strand’s Recollections of Canyon Cinema’s Early Beginnings with Added Commentary from Chick Callenbach [1976] 215
- Letter from Lower Appalachians, Late June 1976 225
- Letter and Excerpts from a Conversation with Stan Brakhage [On Death and The Act of Seeing with One’s Own Eyes, 1977] 227
- What Is a Poetry Film? [1977] 230
- A Bit of Scuttlebutt . . . [1977] 232
- Three Poems (A Rune for Jerome Hill, Tomfool for President, and A Prelude for Brakhage) [1977] 233
- Discussion with George Landow [1977] 235
- Letter, April 22, 1977 237
- Windowmobile [1977] 238
- Conversation with Bruce Conner, July 2001 241
- An Art Liberation Front Dis’course on Avant-Garde Film [1977] 262
- Hyper Kinetic Stan/dards [1977] 263
- Hollis Frampton in San Francisco [April 21/29, 1977] 265
- Body-Centered Film [1977] 271
- Thundercrack (cartoon) [1977] 272
- Matinee [1978] 273
- The Dietrich Dossier (cartoon) [1978] 274
- ALF Communique [1978] 277
- Letter to Henry Hills, January 13, 1978 278
- Letter [1978] 280
- George Kuchar in Europe (an interview) [1978] 281
- Aunt Kastune [1978] 288
- Tony Conrad in San Francisco, February 28, 1978 289
- Child Labor [1978] 293
- Letter, February 18, 1978 296
- Letter, September 22, 1968 297
- Robert Nelson Interview [1978] 298
- George Landow at the Cinematheque, May 18, 1978 307
- Hollis Frampton in San Francisco, part 2 [ST. HOLLIS] 311
- Yvonne Rainer at the Cinematheque, April 6, 1978 315
- Violence [1978] 319
- Some Unseen Lights [1978] 320
- Sketchbook (November–December 1977) 324
- To Whom It . . . [1979] 328
- Survival in the Independent–Non-Commercial–Avant-Garde– Experimental–Personal–Expressionistic Film Market of 1979 329
- How to Read II [1979] 339
- 1st Milarepa Gatha [1979] 341
- Film Syntax [1979] 342
- The Films of Aline Mayer [1979] 350
- Letter, December 24, 1979, and New York Cut the Crap [1980 352
- Film Syntax (Continued) [1980] 366
- “What’s a Picnic without Potato Salad!” [1980] / 374
- Letter, May 16, 1980 376
- Letter, Late June [1980] 377
- Chick Strand at the Cinematheque, March 6, 1980 378
- Conversation with Chick Strand [1980] 388
- Letter, c. 1980 395
- Letter, September 10, 1980 395
- Letter, September 18, 1980 397
- Conversation with Dominic Angerame, August 2002 and May 2006 399
- Letters to Canyon Cinema Sent during the Film/Video Debate of 1994 (from Tom DeWitt, George Kuchar, Robert Nelson, and Stan Brakhage) 420
- Letter from Camano Island, October 10, 1994 424
- Appendix 1. Canyon Cinema Employees, 1969 to the Present 431
- Appendix 2. Canyon Cinema’s Gross Rentals and Sales, from 1966 until 2006–2007 433
- Acknowledgments of Permissions 435
- Index 439
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Announcement of Publication of Canyon Cinema News, 1962 37
- An Essay on Censorship 46
- Report from on the Road, Filming . . . [1964] 52
- Denunciation of the Ann Arbor Film Festival [1965] 54
- Letter from the Ann Arbor Film Festival, April 1, 1965 58
- On His Blindness [1965] 62
- Conversation with Edith Kramer, July 2001 63
- Letter from Chapala, Mexico, January 1967 82
- Letter from San Francisco, February 18, 1967 82
- Open Letter to Film-makers, June 12, 1967 83
- Letter [1967] 86
- Rebuttal to Robt. Nelson’s “Open Letter to Film-makers” [1967] 87
- Bruce Baillie’s Prejudiced Guide to Film Festivals [1967] 93
- Review of Sheldon Renan’s An Introduction to the American Underground Film [1967] 94
- Letter [1967] 95
- The Brussels Festival [1968] 96
- The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968] 99
- Letter from San Francisco, April 1968 101
- Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968] 102
- News from the Australian Undependents 106
- Letter to John Schofill [1968] 107
- Notes from the Creative Film Society [1968] 108
- Letter, August 6, 1968, and Emory Menefee’s response 110
- The Story of a Closet Cine-Drama . . . or . . . From Isolation to Immortality [1968] 112
- Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968] 115
- Letter, September 10 [1968] 118
- Letter, “August, Beginning of September” [1968] 119
- Letter [1969] 121
- Fan Letter to Bruce Conner [1969] 122
- Letter from Oakland, California [1969] 123
- Exchanges (Letters) [1969] 125
- Letter [1969] 126
- Letter [1970] 128
- Letter from Alabama, January 1970 130
- I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970] 131
- Letter [1970] 132
- Canyon Cinema Board of Directors’ Meeting Minutes [May 20, 1970] 132
- Letter [1970] 136
- Canyon Cinema Board of Directors’ Meeting Minutes [May 20, 1970] 138
- Right Back to the Billabong [1970] 140
- Poem [1970] 141
- Letter [1970] 142
- Letter [1972] 144
- Letter [1972] 144
- Underground Myths and Cinema Cooperative Realities (Some Concrete Policy Suggestions) [1972] 145
- Eight Drawings [1972] 149
- Whatever Became of Canyon Cinema Co-operative? [1972] 157
- Letter from Bangkok [1972] 161
- Canyon Cinema, What Next? [1973] 162
- Conversation with Diane Kitchen, March 2002 165
- Peter Kubelka at the Cinematheque, October 3, 1974 185
- Recuperating at His Forest Place in the Mountains of North Alabama, September 1974 187
- Remarks Following a Screening of The Text of Light at the San Francisco Art Institute on November 18, 1974 191
- Letter, March 1975 204
- Waiting for Godard at the Front: The Palestinian Cinema Institution [1975] 205
- How to Cope with the Question Period [1975] 209
- Australian Coop News [1975] 210
- Prayag in 35mm: The Film and Television Institute of India [1975] 212
- Chick Strand’s Recollections of Canyon Cinema’s Early Beginnings with Added Commentary from Chick Callenbach [1976] 215
- Letter from Lower Appalachians, Late June 1976 225
- Letter and Excerpts from a Conversation with Stan Brakhage [On Death and The Act of Seeing with One’s Own Eyes, 1977] 227
- What Is a Poetry Film? [1977] 230
- A Bit of Scuttlebutt . . . [1977] 232
- Three Poems (A Rune for Jerome Hill, Tomfool for President, and A Prelude for Brakhage) [1977] 233
- Discussion with George Landow [1977] 235
- Letter, April 22, 1977 237
- Windowmobile [1977] 238
- Conversation with Bruce Conner, July 2001 241
- An Art Liberation Front Dis’course on Avant-Garde Film [1977] 262
- Hyper Kinetic Stan/dards [1977] 263
- Hollis Frampton in San Francisco [April 21/29, 1977] 265
- Body-Centered Film [1977] 271
- Thundercrack (cartoon) [1977] 272
- Matinee [1978] 273
- The Dietrich Dossier (cartoon) [1978] 274
- ALF Communique [1978] 277
- Letter to Henry Hills, January 13, 1978 278
- Letter [1978] 280
- George Kuchar in Europe (an interview) [1978] 281
- Aunt Kastune [1978] 288
- Tony Conrad in San Francisco, February 28, 1978 289
- Child Labor [1978] 293
- Letter, February 18, 1978 296
- Letter, September 22, 1968 297
- Robert Nelson Interview [1978] 298
- George Landow at the Cinematheque, May 18, 1978 307
- Hollis Frampton in San Francisco, part 2 [ST. HOLLIS] 311
- Yvonne Rainer at the Cinematheque, April 6, 1978 315
- Violence [1978] 319
- Some Unseen Lights [1978] 320
- Sketchbook (November–December 1977) 324
- To Whom It . . . [1979] 328
- Survival in the Independent–Non-Commercial–Avant-Garde– Experimental–Personal–Expressionistic Film Market of 1979 329
- How to Read II [1979] 339
- 1st Milarepa Gatha [1979] 341
- Film Syntax [1979] 342
- The Films of Aline Mayer [1979] 350
- Letter, December 24, 1979, and New York Cut the Crap [1980 352
- Film Syntax (Continued) [1980] 366
- “What’s a Picnic without Potato Salad!” [1980] / 374
- Letter, May 16, 1980 376
- Letter, Late June [1980] 377
- Chick Strand at the Cinematheque, March 6, 1980 378
- Conversation with Chick Strand [1980] 388
- Letter, c. 1980 395
- Letter, September 10, 1980 395
- Letter, September 18, 1980 397
- Conversation with Dominic Angerame, August 2002 and May 2006 399
- Letters to Canyon Cinema Sent during the Film/Video Debate of 1994 (from Tom DeWitt, George Kuchar, Robert Nelson, and Stan Brakhage) 420
- Letter from Camano Island, October 10, 1994 424
- Appendix 1. Canyon Cinema Employees, 1969 to the Present 431
- Appendix 2. Canyon Cinema’s Gross Rentals and Sales, from 1966 until 2006–2007 433
- Acknowledgments of Permissions 435
- Index 439