Artikel
Öffentlich zugänglich
Frontmatter
Veröffentlicht/Copyright:
1. Dezember 2022
Published Online: 2022-12-01
Published in Print: 2022-12-16
©2022 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Authors of Slender Means? Female Authorship in Mid-Twentieth-Century British Fiction
- Crossing the Walls: Reading Doris Lessing’s The Memoirs of a Survivor as a Hopeful Dystopia
- Heterotopic Spaces as Pathways to Discovering Transcultural Self in Brian Castro’s Shanghai Dancing and Birds of Passage
- Inspector Gowda’s Divided City: Space, Inequality, and Crime in Anita Nair’s Bangalore Novels
- Hashtags and Environmental Literacy in the EFL Classroom
- Book Reviews
- Daniela Keller and Ina Habermann: Brexit and beyond: Nation and identity
- Ulla Haselstein: Gertrude Steins literarische Porträts
- Books Received
- Books Received
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Authors of Slender Means? Female Authorship in Mid-Twentieth-Century British Fiction
- Crossing the Walls: Reading Doris Lessing’s The Memoirs of a Survivor as a Hopeful Dystopia
- Heterotopic Spaces as Pathways to Discovering Transcultural Self in Brian Castro’s Shanghai Dancing and Birds of Passage
- Inspector Gowda’s Divided City: Space, Inequality, and Crime in Anita Nair’s Bangalore Novels
- Hashtags and Environmental Literacy in the EFL Classroom
- Book Reviews
- Daniela Keller and Ina Habermann: Brexit and beyond: Nation and identity
- Ulla Haselstein: Gertrude Steins literarische Porträts
- Books Received
- Books Received
