Uncertain Wests: Kelly Reichardt, Settler Sensibilities, and the Challenges of Feminist Filmmaking

Works Cited

Ahmed, Sara (2004). The Cultural Politics of Emotion. New York, NY: Routledge.Search in Google Scholar

Ahmed, Sara (2013). “Critical Racism/Critical Sexism.” Feminist Killjoys. December 19.<https://feministkilljoys.com/2013/12/> (June 1, 2019).Search in Google Scholar

Armatage, Kay (2003). The Girl from God’s Country: Nell Shipman and the Silent Cinema. Toronto: University of Toronto Press.10.3138/9781442681378Search in Google Scholar

Combs, Richard (2011). “The Way West: Kelly Reichardt Explores a Weightless Future.” Film Comment 47.2, 30–33.Search in Google Scholar

Comer, Krista (2017). “Accountabilities: Authority, Feminism, West.” Studies in the Novel 49.3, 419–424.10.1353/sdn.2017.0038Search in Google Scholar

Fraser, Caroline (2017). Prairie Fires: The American Dreams of Laura Ingalls Wilder. New York, NY: Metropolitan Books.Search in Google Scholar

Fusco, Katherine and Nicole Seymour (2017). Kelly Reichardt. Champaign, IL: University of Illinois Press.10.5622/illinois/9780252041242.001.0001Search in Google Scholar

Georgi-Findlay, Brigitte (1996). The Frontiers of Women’s Writing: Women’s Narratives and the Rhetoric of Westward Expansion. Tucson, AZ: University of Arizona Press.Search in Google Scholar

Gómez-Barris, Macarena (2017). The Extractive Zone: Social Ecologies and Decolonial Perspectives. Durham, NC: Duke University Press.10.2307/j.ctv1220n3wSearch in Google Scholar

Gorfinkel, Elena (2015). “Exhausted Drift: Austerity, Dispossession, and the Politics of Slow in Kelly Reichardt’s Meek’s Cutoff.” Tiego de Luca and Nuno Burradas Jorge, eds. Slow Cinema. Edinburgh: Edinburgh University Press, 123–136.10.1515/9780748696031-014Search in Google Scholar

Grandin, Greg (2019). The End of the Myth: From the Frontier to the Border Wall in the Mind of America. New York, NY: Metropolitan Books.Search in Google Scholar

Hall, E. Dawn (2018). The Films of Kelly Reichardt. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9781474411127.001.0001Search in Google Scholar

Holmund, Chris (2016). “Mutual Muses in American Independent Film: Catherine Keener and Nicole Holofcener, Michelle Williams and Kelly Reichardt.” Linda Badley, Claire Perkins and Michele Schreiber, eds. Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema. Edinburgh: Edinburgh University Press, 257–275.10.1515/9781474403931-019Search in Google Scholar

Kaplan, Amy (1998). “Manifest Domesticity.” American Literature 70.3, 581–606.10.2307/2902710Search in Google Scholar

Kois, Dan (2011). “Reaching for Culture that Remains Stubbornly Above My Grasp.” New York Times Magazine May 1. 52–53.Search in Google Scholar

Kollin, Susan (2000). “Race, Labor and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough’s The Wind.” Modern Fiction Studies 46.3, 675–694.10.1353/mfs.2000.0053Search in Google Scholar

Lewis, R.W.B. (1955). The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century. Chicago, IL: University of Chicago Press.Search in Google Scholar

Littman, Sam (2011). “Splice: Trailblazer: Sundance Director Recreates Concept of Western Film.” The Daily Orange. <http://dailyorange.com/2011/01/splice-trailblazer-sundance-director-recreates-concept-of-western-film/> (June 18, 2019).Search in Google Scholar

Longworth, Karina (2011). “Meek’s Cutoff: Go West, Young Women.” LA Weekly. April 14. <https://www.laweekly.com/meeks-cutoff-go-west-young-women/> (June 12, 2019).Search in Google Scholar

Martin, Theodore (2017). Contemporary Drift: Genre, Historicism, and the Problem of the Present. New York, NY: Columbia University Press.10.7312/mart18192Search in Google Scholar

Meek’s Cutoff (2010). Dir. Kelly Reichardt. Evenstar Films.Search in Google Scholar

Moretti, Franco (2019). Far Country: Scenes from American Culture. New York, NY: Farrar, Straus, and Giroux.Search in Google Scholar

Patel, Raj and Jason W. Moore (2017). A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet. Berkeley, CA: University of California Press.10.1525/9780520966376Search in Google Scholar

Pejkovic, Matthew (2011). “Interview with Meek’s Cutoff Writer Jon Raymond.” Trespass Magazine. June 11. <http://www.trespassmag.com/interview-with-meeks-cutoff-writer-jon-raymond/> (June 1, 2019).Search in Google Scholar

Prats, Armando José (2002). Invisible Natives: Myth and Identity in the American Western. Ithaca, NY: Cornell University Press, 2002.10.7591/9781501729539Search in Google Scholar

Quart, Leonard (2011). “The Way West: A Feminist Perspective: An Interview with Kelly Reichardt.” Cineaste 36.2, 40–42.Search in Google Scholar

Scott, A.O. (2009). “Neo-Neo Realism.” New York Times Magazine. March 22.<https://www.nytimes.com/2009/03/22/magazine/22neorealism-t.html> (June 5, 2019).Search in Google Scholar

Smith, Paul Julian (2010). “At the Edge of History.” Film Quarterly 64.2, 12–13.10.1525/FQ.2010.64.2.12Search in Google Scholar

Vida, Vendela (2011). “Michelle Williams.” Interview Magazine. April 18. <https://www.interviewmagazine.com/film/michelle-williams> (June 12, 2019).Search in Google Scholar

Wexman, Virginia Wright (1993). Creating the Couple: Love, Marriage, and Hollywood Performance. Princeton, NJ: Princeton University Press.10.1515/9780691238180Search in Google Scholar

White, Patricia (2018). “Pink Material: White Womanhood and the Colonial Imaginary of World Cinema and Authorship.” Kristin Lené Hole, Dijana Jelaca, E. Ann Kaplan, and Patrice Petro, eds. Routledge Companion to Cinema and Gender. New York, NY: Routledge, 215–226.Search in Google Scholar

Zeitchik, Steven (2016). “With Rugged Feminist Piece ‘Certain Women,’ Kelly Reichardt Shows Why She’s the Last Indie Purist (For Now).” Los Angeles Times. October 10.<https://www.latimes.com/entertainment/movies/la-et-mn-kelly-reichardt-certain-women-nyff-kristen-stewart-20161010-snap-story.html> (June 3, 2019).Search in Google Scholar