Counternarrative Possibilities: Virgin Land, Homeland, and Cormac McCarthy’s Westerns

Articles in the same Issue

1. Frontmatter
2. Editorial
3. Editorial
4. Articles
5. Introduction – Voices of Their Own: South Asian Women’s Writing
6. Voices of Resolution and Resistance in Indian Women’s Poetry
7. Bengali Women’s Writings in the Colonial Period: Critique of Nation, Narration, and Patriarchy
8. Alternative Literary Modernities: A Voice from Colonial Punjab
9. “What an inauspicious moment it turned out to be when she began to write!”: The Presentation and Position of the South Asian Woman Writer in Colonial Bengal
10. Voices from the Threshold in Attia Hosain’s Sunlight on a Broken Column
11. Negotiating Gender, Memory, and History in Anita Desai’s Clear Light of Day
12. Splitting/Violating the “New Indian Woman” in Shashi Deshpande’s The Dark Holds No Terrors (1980)
13. Challenging Gender and Genre: Women in Contemporary Indian Crime Fiction in English
14. Book Reviews
15. “I Am Because You Are:” Relationality in the Works of Siri Hustvedt
16. Counternarrative Possibilities: Virgin Land, Homeland, and Cormac McCarthy’s Westerns
17. Shakespeare, Court Dramatist
18. Subjectivity across Media: Interdisciplinary and Transmedial Perspectives
19. Books Received