Article
Publicly Available
Frontmatter
Published/Copyright:
October 7, 2016
Published Online: 2016-10-7
Published in Print: 2016-11-1
©2016 by De Gruyter
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Introduction: Poetry and Performance
- Articles
- “Oh make thy selfe with holy mourning blacke”: Aspects of Drama and Performance in John Donne’s Holy Sonnet “Oh My Black Soule”
- Performance, Performativity, and the Medium of Poetry: W. B. Yeats’s “Among School Children”
- Engaging with T.S. Eliot: Four Quartets as a Multimedia Performance
- The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance
- Popular Songs, Poetry, and Performance: Observations on an On-going Debate
- ‘I wanna be a Rock Star!’ Lyrical Communication in Self-Referential Rock Songs
- On the Interface between Page and Stage: Interview with Patience Agbabi
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Introduction: Poetry and Performance
- Articles
- “Oh make thy selfe with holy mourning blacke”: Aspects of Drama and Performance in John Donne’s Holy Sonnet “Oh My Black Soule”
- Performance, Performativity, and the Medium of Poetry: W. B. Yeats’s “Among School Children”
- Engaging with T.S. Eliot: Four Quartets as a Multimedia Performance
- The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance
- Popular Songs, Poetry, and Performance: Observations on an On-going Debate
- ‘I wanna be a Rock Star!’ Lyrical Communication in Self-Referential Rock Songs
- On the Interface between Page and Stage: Interview with Patience Agbabi