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Veröffentlicht/Copyright:
15. April 2014
Online erschienen: 2014-4-15
Erschienen im Druck: 2006-1-1
© 2014 by Walter de Gruyter Berlin/Boston
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Artikel in diesem Heft
- Inhalt
- Editorial
- On Dancing about Architecture: Words and Music between Cultural Practice and Transcendence
- The Cultural Validity of Classical Music in Richard Powers’s The Time of Our Singing
- The Beat of the Land: Place and Music in Tim Winton’s Dirt Music
- White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s Twelve Bar Blues
- Performing Jazz, Defying Essence: Music as a Metaphor of Being in Jackie Kay’s Trumpet
- The Birth of Rock ‘n’ Roll out of the Spirit of Myth: Salman Rushdie’s The Ground Beneath Her Feet
- Writing Punk: Punk Narratives in the 1990s and John King’s Novel Human Punk
- Buchbesprechungen
- Bucheingänge
- Die Autoren dieses Heftes
Artikel in diesem Heft
- Inhalt
- Editorial
- On Dancing about Architecture: Words and Music between Cultural Practice and Transcendence
- The Cultural Validity of Classical Music in Richard Powers’s The Time of Our Singing
- The Beat of the Land: Place and Music in Tim Winton’s Dirt Music
- White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s Twelve Bar Blues
- Performing Jazz, Defying Essence: Music as a Metaphor of Being in Jackie Kay’s Trumpet
- The Birth of Rock ‘n’ Roll out of the Spirit of Myth: Salman Rushdie’s The Ground Beneath Her Feet
- Writing Punk: Punk Narratives in the 1990s and John King’s Novel Human Punk
- Buchbesprechungen
- Bucheingänge
- Die Autoren dieses Heftes