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Back to the backstage: the papyrus P.Berol. 13927
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Serena Perrone
Published/Copyright:
June 2, 2011
Abstract
Re-examination of the fragment P.Berol. inv. 13927 (V/VI Cent. A.D.) as an example of the contribution of papyrus documentation to our knowledge on the practical aspects of dramatic performances and stage sets in antiquity.
Published Online: 2011-06-02
Published in Print: 2011-April
© Walter de Gruyter 2011
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Articles in the same Issue
- The Iliad's big swoon: a case of innovation within the epic tradition?
- Apollo and the Ion of Euripides: nothing to do with Nietzsche?
- The Dream of the Charioteer in the Rhesus ascribed to Euripides (728–803)
- Trojan Glory: kleos and the survival of Troy in Lycophron's Alexandra
- A Passage to Egypt: Aesop, the Priests of Heliopolis and the Riddle of the Year (Vita Aesopi 119–120)
- From impulsiveness to self-restraint: Lucius' stance in Apuleius' Metamorphoses
- Back to the backstage: the papyrus P.Berol. 13927
- Revivals of an Ancient Myth in Modern Art: Oedipus and the Episode of the Sphinx. From Jean Auguste-Domenique Ingres to Michael Merck
- List of Contributors
