‘The (singing) game is not afoot’ – Calpurnius Siculus' sixth eclogue
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Evangelos Karakasis
Abstract
The following paper focuses on the ‘generic identity’ of Calpurnius Siculus' sixth eclogue; in particular the article examines the ways in which the Neronian poet manages to suggest his ‘generic novelty’, his willingness to expand on the previous pastoral tradition as well as his occasional tendency to perpetuate and further generate ‘generic tensions’ already operating in earlier bucolic poetry. Intertextuality thus appears to function as a major means that Calpurnius makes use of in order to bring out his ‘generic diversity’, for most of the intertexts display a ‘generic interaction’ between various literary genres, further adding to the ‘generic polyphony’ evidenced throughout the Calpurnian pastoral corpus.
© Walter de Gruyter 2010
Articles in the same Issue
- The case of Book Ten and the unity of the Iliad plot in ancient scholarship
- Reading the authorial strategies in the Derveni Papyrus
- The Derveni Papyrus and the Bacchic-Orphic Epistomia
- Milk in the Gold Tablets from Pelinna
- Callimachus Ia. XIII, fr. 203+204a Pf. (P.Oxy. 1011 fol. VI): A new reading
- Theseus in the making: social psychology and the poetics of fatherlessness in Callimachus
- The permanence of Cupid's metamorphosis in the Aeneid
- ‘The (singing) game is not afoot’ – Calpurnius Siculus' sixth eclogue
- List of Contributors
Articles in the same Issue
- The case of Book Ten and the unity of the Iliad plot in ancient scholarship
- Reading the authorial strategies in the Derveni Papyrus
- The Derveni Papyrus and the Bacchic-Orphic Epistomia
- Milk in the Gold Tablets from Pelinna
- Callimachus Ia. XIII, fr. 203+204a Pf. (P.Oxy. 1011 fol. VI): A new reading
- Theseus in the making: social psychology and the poetics of fatherlessness in Callimachus
- The permanence of Cupid's metamorphosis in the Aeneid
- ‘The (singing) game is not afoot’ – Calpurnius Siculus' sixth eclogue
- List of Contributors