Article
Licensed
Unlicensed
Requires Authentication
Reperformances and the Transmission of Texts
-
Patrick J. Finglass
Published/Copyright:
November 15, 2015
Abstract:
This chapter analyses the impact of reperformance traditions on the transmission of the texts of classical drama, including, but not limited to, the question of actors’ interpolations and adaptations.
Published Online: 2015-11-15
Published in Print: 2015-11-15
© De Gruyter 2015
You are currently not able to access this content.
You are currently not able to access this content.
Articles in the same Issue
- Titelseiten
- Introduction
- Part A: Authors
- Aeschylus and the Beginning of Tragic Reperformances
- Ancient Reperformances of Sophocles
- Performing and Informing: On the Prologues of the [Euripidean] Rhesus
- Reconsidering the Reperformance of Aristophanes’ Frogs
- Part B: Contexts
- Reperformances and the Transmission of Texts
- ‘Why 386 BC?’ Lost Empire, Old Tragedy and Reperformance in the Era of the Corinthian War
- Political Re-Performances of Tragedy in the Fifth and Fourth Centuries BC
- Drama Outside Athens in the Fifth and Fourth Centuries BC
- Abstracts
- Abstracts
Articles in the same Issue
- Titelseiten
- Introduction
- Part A: Authors
- Aeschylus and the Beginning of Tragic Reperformances
- Ancient Reperformances of Sophocles
- Performing and Informing: On the Prologues of the [Euripidean] Rhesus
- Reconsidering the Reperformance of Aristophanes’ Frogs
- Part B: Contexts
- Reperformances and the Transmission of Texts
- ‘Why 386 BC?’ Lost Empire, Old Tragedy and Reperformance in the Era of the Corinthian War
- Political Re-Performances of Tragedy in the Fifth and Fourth Centuries BC
- Drama Outside Athens in the Fifth and Fourth Centuries BC
- Abstracts
- Abstracts
