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A semiotic analysis of sounds in personal computers: Toward a semiotic model of human-computer interaction
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Yoonjae Nam
Veröffentlicht/Copyright:
4. November 2010
Abstract
We compared three types of auditory interface in personal computing environments: verbal messages, earcons, and auditory icons. We applied Peirce's sign theory to the three auditory interfaces to conceptualize verbal messages as “dicent symbol legisigns,” earcons as “dicent indexical legisigns,” and auditory icons as “remantic iconic sinsigns.” Based on theories of the triple triangle model for sign production (Kim, Semiotica 132: 75–100, 2000), we suggested that (a) the three auditory interfaces demand different levels of mental effort for interpretation and (b) the extent to which users are able to interpret the auditory signs of a computer correctly correlates to the communicability of its interface.
Keywords:: Human-Computer Interaction (HCI); auditory interfaces; semiotics; signs; communicability; sign production theory
Published Online: 2010-11-04
Published in Print: 2010-October
© 2010 Walter de Gruyter GmbH & Co. KG, Berlin/New York
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Schlagwörter für diesen Artikel
Human-Computer Interaction (HCI);
auditory interfaces;
semiotics;
signs;
communicability;
sign production theory
Artikel in diesem Heft
- A comparison of sign and symbol (their contents and boundaries)
- A Peircean inspired typology of print advertising
- Explaining educational experience: On one- and two-handed gestures as semiotic entities and the flexibility of their use
- Temporal phenomenology in Roentgen semiotics
- Hjelmslev, the verbal, and the form/icon
- A semiotic interpretation of genre: Judgments as an example
- Beyond literary texts: A semiotic approach to a fictional (ritual) game of real (dis)order in William Golding's Lord of the flies
- Nonverbal indicators of deception: How iconic gestures reveal thoughts that cannot be suppressed
- The mythopoeia in Stalinist propaganda of post-war Poland
- Language as reflective experience
- Galaxies of meaning: Semiotics in media theory
- Ancient tradition and modern audacity: On the (proto-) semiotic ideas of Juan Caramuel y Lobkowitz
- A semiotic analysis of sounds in personal computers: Toward a semiotic model of human-computer interaction
- In the name of the sign: The nsibidi script as the language and literature of the crossroads
- The materiality of narrative spaces: A theatre semiotics perspective into the teaching of physics
- Three women in semiotics: Welby, Boole, Langer
- Semiomimesis: The influence of semiotics on the creation of literary texts Peter Bichsel's Ein Tisch ist ein Tisch and Joseph Roth's Hotel Savoy
- The role of matrices in preserving non-genetic data
- An anthropology of reading science texts in online media
- An outline for a semiotic theory of hegemony
- Concepts and senses in visual art: Through the example of analysis of some works by Bruegel the Elder
- The forms and functions of slang
- Unravelling the mechanisms of multimodal multiplication
- Reasoning in transition: Inner dialogue and communication
