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Visual syntax in the iconography of Saint Nicholas

  • Małgorzata Haładewicz-Grzelak
Published/Copyright: August 31, 2009
Semiotica
From the journal Volume 2009 Issue 176

Abstract

This article analyzes the iconography of Saint Nicholas from the retrospective angle of the interrelation of constituent meanings. I propose that the persona of Saint Nicholas is a “complex symbol” consisting of a number of simple symbols (e.g., the crosier and miter in Western Christianity representations, the blessing in Orthodox icons, the bag in secular and hyper-secular renditions, etc.). These simple symbols entail implicational structuring, which might be called the visual syntax of Saint Nicholas. My visual qualitative model based on constructivist relational philosophy (e.g., Bateson, Mind and nature: A necessary unity, Bantam, 1979; Lenk, Filozofia praktycznego interpretacjionalizmu, Oficyna Naukowa, 1995, Lenk, Das Denken und sein Gehalt, Oldenbourg, 2001) serves to interpret the signification changes in terms of the spreading and delinking of the correlations.

Published Online: 2009-08-31
Published in Print: 2009-August

© 2009 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin

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