Wine labels in Austrian food retail stores: A semiotic analysis of multimodal red wine labels
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Bettina König
Bettina König (b. 1974) is a lecturer at the University of Applied Sciences Burgenland 〈bettina.koenig@fhburgenland.at〉. Her research interests include branding and brand positioning, international marketing, and marketing research methods. Her publications include “nimm2 Lachgummi – Markenpower, Vitamine & Naschen” (2009); and “Die Lehre qualitativer Marktforschung – eine multiperspektivische Evaluierung didaktischer Erfahrungen” (with C. Kummer, 2011).and Erhard Lick
Erhard Lick (b. 1967) is a professor at the ESCE International Business School 〈erhard.lick@esce.fr〉. His research interests include international marketing communications, branding, multimodality, and applied linguistics. His publications include “Advertising to Canada's official language groups: A comparative critical discourse analysis” (with J. Kuhn, 2009); and “The myth of cultural differences between English and French Canada” (2010).
Abstract
From a marketing point of view, front labels play a crucial role in the consumers' relatively quick decisionmaking process when buying wine in retail stores. The aim of this paper was to reveal which semiotic code systems, in particular, colors, visual representations, and designs, as well as verbal representations, Austrian wine producers use on the front labels of their red wine bottles. For that purpose, the method of content analysis was applied on a representative corpus of red wine labels. Our empirical study showed that the wine labels analyzed especially appeal to price sensitive customers through the employment of light colors. In addition, wine producers do not seem to apply the “visualtotaste lexicon” as the labels rarely show the color “red.” Furthermore, in a large number of cases the wine producers use their family names as brand names of their wines. Moreover, both the depiction of crests and landscapes and the application of indexical brand names, emphasize the Austrian origin of wines. Finally, the extensive use of English brand names appears to connect wines to the social stereotypes of modernity, prestige, and progress.
About the authors
Bettina König (b. 1974) is a lecturer at the University of Applied Sciences Burgenland 〈bettina.koenig@fhburgenland.at〉. Her research interests include branding and brand positioning, international marketing, and marketing research methods. Her publications include “nimm2 Lachgummi – Markenpower, Vitamine & Naschen” (2009); and “Die Lehre qualitativer Marktforschung – eine multiperspektivische Evaluierung didaktischer Erfahrungen” (with C. Kummer, 2011).
Erhard Lick (b. 1967) is a professor at the ESCE International Business School 〈erhard.lick@esce.fr〉. His research interests include international marketing communications, branding, multimodality, and applied linguistics. His publications include “Advertising to Canada's official language groups: A comparative critical discourse analysis” (with J. Kuhn, 2009); and “The myth of cultural differences between English and French Canada” (2010).
©2014 by Walter de Gruyter Berlin/Boston
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Articles in the same Issue
- Frontmatter
- A semiotic model of visual perception
- Art, science, and value as found in Peirce's ten trichotomies
- Reforming visual semiotics: The dynamic approach
- An early semiotic
- “Language as calculus” in Beckett's writing: A new perspective on Beckett's conception of language
- Media representations of science, andimplications for neuroscience and semiotics
- Ubiquitous but arbitrary iconicity
- Nation and globalization as social interaction: Interdiscursivity of discourse and semiosis in the 2008 Beijing Olympics' opening ceremony
- Documentary evidence as hegemonic reconstruction
- Semiotic resources of music notation: Towards a multimodal analysis of musical notation in student texts
- The semiotics of undesirable bodies: Transnationalism, race culture, abjection
- A socio-semiotic framework for the analysis of exhibits in a science museum
- Indefinite identity: The masked terrorist as iconic legisign
- The segmentation of phenomenological space in Licheń as an example of double binds
- Wine labels in Austrian food retail stores: A semiotic analysis of multimodal red wine labels
- Exploring the rhetorical semiotic brand image structure of ad films with multivariate mapping techniques