Art, science, and value as found in Peirce's ten trichotomies
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Ru Michael Sabre
Ru Michael Sabre (b. 1942) is an independent scholar 〈Ru.Sabre@gmail.com〉. His research interests include Charles S. Peirce's semiotic and forums. His publications include “Extending the antilogism” (1987); “An alternative logical framework for dialectical reasoning in the social and policy sciences” (1991); andCorporate planning and LAN: Information systems as forums (1993).
Abstract
Peirce's ten trichotomies are presented as an elaboration of semeiosis, that is, a sign producing an interpretant. Sabre (2012) details how a sign can produce a metaphor, a hypothesis, or a decision. Here decision about metaphor results in art; decision about hypothesis results in science; and decision about decision, value.
About the author
Ru Michael Sabre (b. 1942) is an independent scholar 〈Ru.Sabre@gmail.com〉. His research interests include Charles S. Peirce's semiotic and forums. His publications include “Extending the antilogism” (1987); “An alternative logical framework for dialectical reasoning in the social and policy sciences” (1991); and Corporate planning and LAN: Information systems as forums (1993).
©2014 by Walter de Gruyter Berlin/Boston
Articles in the same Issue
- Frontmatter
- A semiotic model of visual perception
- Art, science, and value as found in Peirce's ten trichotomies
- Reforming visual semiotics: The dynamic approach
- An early semiotic
- “Language as calculus” in Beckett's writing: A new perspective on Beckett's conception of language
- Media representations of science, andimplications for neuroscience and semiotics
- Ubiquitous but arbitrary iconicity
- Nation and globalization as social interaction: Interdiscursivity of discourse and semiosis in the 2008 Beijing Olympics' opening ceremony
- Documentary evidence as hegemonic reconstruction
- Semiotic resources of music notation: Towards a multimodal analysis of musical notation in student texts
- The semiotics of undesirable bodies: Transnationalism, race culture, abjection
- A socio-semiotic framework for the analysis of exhibits in a science museum
- Indefinite identity: The masked terrorist as iconic legisign
- The segmentation of phenomenological space in Licheń as an example of double binds
- Wine labels in Austrian food retail stores: A semiotic analysis of multimodal red wine labels
- Exploring the rhetorical semiotic brand image structure of ad films with multivariate mapping techniques
Articles in the same Issue
- Frontmatter
- A semiotic model of visual perception
- Art, science, and value as found in Peirce's ten trichotomies
- Reforming visual semiotics: The dynamic approach
- An early semiotic
- “Language as calculus” in Beckett's writing: A new perspective on Beckett's conception of language
- Media representations of science, andimplications for neuroscience and semiotics
- Ubiquitous but arbitrary iconicity
- Nation and globalization as social interaction: Interdiscursivity of discourse and semiosis in the 2008 Beijing Olympics' opening ceremony
- Documentary evidence as hegemonic reconstruction
- Semiotic resources of music notation: Towards a multimodal analysis of musical notation in student texts
- The semiotics of undesirable bodies: Transnationalism, race culture, abjection
- A socio-semiotic framework for the analysis of exhibits in a science museum
- Indefinite identity: The masked terrorist as iconic legisign
- The segmentation of phenomenological space in Licheń as an example of double binds
- Wine labels in Austrian food retail stores: A semiotic analysis of multimodal red wine labels
- Exploring the rhetorical semiotic brand image structure of ad films with multivariate mapping techniques
