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Hearing a shakkei: The semiotics of the audible in a Japanese stroll garden

  • Michael Fowler

    Michael Fowler (b. 1974) is a research fellow at Technische Universitat Berlin 〈synthifou@gmail.com〉. His research interests include Japanese garden, acoustic ecology, semiotics, and architecture. His publications include “Mapping soundspace: The Japanese Garden as auditory model” (2010); “On listening in a future city” (2011); and “On the relation between inside and outside: Conceptualizing acoustic space in John Cage's Variations IV” (2012).

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Published/Copyright: October 23, 2013

Abstract

Though there has been some interest in the semiotics of Japanese gardens (Casalis 1983; van Tonder and Lyons 2005) as pure visual articulations of landscape elements, attention to what Schafer (1977) and Truax (2001) identify as a garden's soundscape has been lacking. This paper investigates the gardening technique of shakkei (borrowed scenery) in the Tokyo garden Kyu Furukawa Teien. Utilizing the terminology of Schafer and Truax, I construct a Greimas square to interrogate the semiotic function of the shakkei in light of traditional Japanese uses of Chinese geomancy, and to further investigate the garden's synthesis of landscape and soundscape elements.

About the author

Michael Fowler

Michael Fowler (b. 1974) is a research fellow at Technische Universitat Berlin 〈〉. His research interests include Japanese garden, acoustic ecology, semiotics, and architecture. His publications include “Mapping soundspace: The Japanese Garden as auditory model” (2010); “On listening in a future city” (2011); and “On the relation between inside and outside: Conceptualizing acoustic space in John Cage's Variations IV” (2012).

Published Online: 2013-10-23
Published in Print: 2013-10-25

©[2013] by Walter de Gruyter Berlin Boston

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