Emigdiano Blues: The California Indigenous Pigment Palette and an In Situ Analysis of an Exotic Colour

Articles in the same Issue

1. New Perspectives on the Late Neolithic of South-Western Sweden. An Interdisciplinary Investigation of the Gallery Grave Falköping Stad 5
2. Over Rock and Under Stone: Carved Rocks and Subterranean Burials at Kipia, Ancash, AD 1000 – 1532
3. Archaeological Knowledge Production and Global Communities: Boundaries and Structure of the Field
4. The Relational Life of Trees. Ontological Aspects of “Tree-Ness” in the Early Bronze Age of Northern Europe
5. Amphibiomorphic Modeled and Painted Pottery from Argentine Patagonia and Central-Southern Chile. Functional Interpretation and Identification of Species Based on Mimetic and Aposematic Traits
6. Topical Issue on Exploring Advances in the Use of 3D Models of Objects in Archaeological Research edited by Barry Molloy
7. Modelling Physical and Digital Replication: Bridging the Gap Between Experimentation and Experience
8. ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
9. Pottery Goes Public. Performing Archaeological Research Amid the Audience
10. By All Means Necessary – 2.5D and 3D Recording of Surfaces in the Study of Southern Scandinavian Rock Art
11. Wonderful Things? A Consideration of 3D Modelling of Objects in Material Culture Research
12. Losing our Senses, an Exploration of 3D Object Scanning
13. From 3D Scans to Networks: Using Swords to Understand Communities of Central European Bronze Age Smiths
14. Topical Issue on From Line to Colour: Social Context and Visual Communication of Prehistoric Art edited by Liliana Janik and Simon Kaner
15. Art and the Brain: Archaeological Perspectives on Visual Communication
16. Emigdiano Blues: The California Indigenous Pigment Palette and an In Situ Analysis of an Exotic Colour
17. Do You See What I See? Aspects of Color Choice and Perception in Ancient Egyptian Painting
18. The Use of Ochre and Painting During the Upper Paleolithic of the Swabian Jura in the Context of the Development of Ochre Use in Africa and Europe
19. Japan: The Earliest Evidence of Complex Technology for Creating Durable Coloured Goods
20. Community Art: Communities of Practice, Situated Learning, Adults and Children as Creators of Cave Art in Upper Palaeolithic France and Northern Spain
21. On the Attribution of Palaeolithic Artworks: The Case of La Marche (Lussac-les-Châteaux, Vienne)
22. How Do We Explain ‛Autistic Traits’ in European Upper Palaeolithic Art?
23. The Entrapment of Art: Rock-Art, Order, Subversion, Creativity, Meaning, and the Appeal of Illusive Imagery
24. Topical Issue on Aspects of Non-professional Metal Detecting in Europe (cont.)
25. The Complexities of Metal Detecting Policy and Practice: A Response to Samuel Hardy, ‘Quantitative Analysis of Open-Source Data on Metal Detecting for Cultural Property’ (Cogent Social Sciences 3, 2017)
26. Topical Issue on the Danubian Provinces of the Roman Empire, edited by Mateusz Żmudziñski
27. “God’s Grace is a Gain”: Dipinti on a Sixth- Century Amphora from Trimammium
28. A Note on the Name of Nicopolis ad Istrum
29. The Garrison of the Roman Fort at Porolissum (Dacia). The Analysis of the Tile-Stamps
30. The Aquae Station on the Roman Danube Limes Road in Upper Moesia