Home Chinese Mythology and the Reconstruction of Contemporary Chinese Film Aesthetics
Article
Licensed
Unlicensed Requires Authentication

Chinese Mythology and the Reconstruction of Contemporary Chinese Film Aesthetics

  • Linxia Chen

    Linxia Chen is a professor of Department of Chinese Language and Literature at Sun Yat-sen University. He serves as the chair researcher of the China National Social Science Major Project, whose field of research lies in cinematic art. His major publications include With Chinese Film to Construct National Image: Under the Cross Cultural Background (2014) and From Fiction to Film: the Comprehensive Research on the Adaptation of Film and Television (2011) and Knowledge Structure of Chinese Genre Films and Cross-cultural Comparison (2010). This work is supported by the China National Social Science Major Research Project “Competitiveness of Chinese Film Culture and Overseas Market Dynamics Database Construction” (Grant number: 19ZDA271).

    EMAIL logo
Published/Copyright: September 10, 2025
Become an author with De Gruyter Brill

Abstract

Contemporary Chinese films, which tell mythological stories and presenting audio-visual wonders by means of film and television technology, have been fully recognized by the market. However, the context of storytelling has been too capitalized, resulting in the intervention of capital from the consumer terminal in the production of content, which has led to the secularization of the values of the mythological stories told, and even the tendency of deformed egoism. Chinese films should not only satisfy market consumption but also spread and inherit the cultural consciousness and collective memory of the myths. Therefore, Chinese films should break through the narrative mode and power aesthetics of Western films, construct a two-stage structure with a clear, cyclical and recurrent structure, give full play to its imagination, break through the boundaries of modern rationality, and then shape its own cultural identity, art form, and aesthetic style on a global scale.


Corresponding author: Linxia Chen, Department of Chinese Language and Literature, Sun Yat-sen University, Guangzhou, China, E-mail:
Translated by Yalin Yang, Communication University of China, Beijing, China, E-mail: yangyalin@mails.cuc.edu.cn

Funding source: China National Social Science Major Research Project “ Competitiveness of Chinese Film Culture and Overseas Market Dynamics Database Construction ”

Award Identifier / Grant number: 19ZDA271

About the author

Linxia Chen

Linxia Chen is a professor of Department of Chinese Language and Literature at Sun Yat-sen University. He serves as the chair researcher of the China National Social Science Major Project, whose field of research lies in cinematic art. His major publications include With Chinese Film to Construct National Image: Under the Cross Cultural Background (2014) and From Fiction to Film: the Comprehensive Research on the Adaptation of Film and Television (2011) and Knowledge Structure of Chinese Genre Films and Cross-cultural Comparison (2010). This work is supported by the China National Social Science Major Research Project “Competitiveness of Chinese Film Culture and Overseas Market Dynamics Database Construction” (Grant number: 19ZDA271).

References

Bordwell, David, and Kristin Thompson. 2014. Shijie dianying shi [Film History: An Introduction]. Trans. Fan Bei. Beijing: Peking University Press.Search in Google Scholar

Cai, Xinzhong. 2004. “Mingyun de liliang – dui fengshen yanyi de yizhong jiedu” [“The Power of Fate: An Interpretation of Investiture of the Gods”]. Zhejiang Social Sciences (04): 173–7. https://doi.org/10.14167/j.zjss.2004.04.035.Search in Google Scholar

Cassirer, Ernst. 1992. Shenhua siwei [The Philosophy of Symbolic Forms], Vol. 2. Trans. Huang Longbao and Zhou Zhenxuan. Beijing: China Social Sciences Press.Search in Google Scholar

Chen, Linxia. 2023. “Tiaren guannian yu zhongguo dianying de meixue chongjian” [“The Concept of Heaven and Man and the Aesthetic Reconstruction of Chinese Cinema”]. China Social Science Review (02): 30–9+157.Search in Google Scholar

Cheng, Jincheng. 2009. “Zhongguo shenhua yu xushi wenxue yuanxing shengcheng de guanxi” [“The Relationship between Chinese Mythology and the Generation of Narrative Literary Prototypes”]. Lanzhou University Journal (Social Sciences Edition) 37 (05): 44–50.Search in Google Scholar

Dainian, Zhang, and Cheng Yishan. 2015. Zhongguo wenhua jingshen [The Spirit of Chinese Culture]. Beijing: Peking University Press.Search in Google Scholar

Deng, Xiaomang. 2013. Zhongxi wenhua xinli bijiao jiangyanlu [The lectures: Comparison of Chinese and western culture psychology]. Beijing: People’s Publishing House.Search in Google Scholar

Dong, Chuping. 2002. “Zhongguo shanggu chuangshi shenhua gouchen— chubo shujia pian jiedu jiantan zhongguo shenhua de ruogan wenti” [“Research on Ancient Chinese Creation Myths: Interpretation of the Chu Silk Manuscript and Discussion on Some Issues of Chinese Mythology”]. Social Sciences in China (05). 151–163+206–207.Search in Google Scholar

Endata. 2025. Box office ranking. https://ys.endata.cn/BoxOffice/Ranking (Accessed February 17, 2025).Search in Google Scholar

Feng, Youlan. 2011. Zhongguo zhexue shi [A History of Chinese Philosophy], Vol. 1. Shanghai: East China Normal University Press.Search in Google Scholar

Liu, Wengang. 2009. “Nezha shenxingxiang yanhua kaolun” [“A Study on the Evolution of the Nezha Deity Image”]. Religious Studies (03): 178–83.Search in Google Scholar

Liu, Yuqing. 2014. “Zhongguo shenhua de sanci dabianqian” [“Three Major Transformations of Chinese Mythology”]. Literature and Art Studies (10): 43–53.Search in Google Scholar

Lu, Xun. 2015. Zhongguo xiaoshuo shilue [A Brief History of Chinese Fiction]. Inner Mongolia: Faraway Publishing House.Search in Google Scholar

Meng, Peiyuan. 2002. “Zhang zaiyi tianrenheyishuo de shengtai yiyi” [“The Ecological Significance of Zhang Zai’s Theory of Heaven-Man Oneness”]. The Journal of Humanities (05): 27–32. https://doi.org/10.15895/j.cnki.rwzz.2002.05.007.Search in Google Scholar

Mitry, Jean. 2012. Dian ying meixue yu xinlixue [Esthetique et psychologie du cinema]. Trans. Cui Junyan. Jiangsu: Jiangsu Literature and Art Publishing House.Search in Google Scholar

Pan, Baiqi, and Liang Liu. 2000. “Lun fengshenyanyi de daojiao wenhua hanyun” [“On the Taoist Cultural Implications of Investiture of the Gods”]. Journal of Ming-Qing Fiction Studies (02): 182–90. https://doi.org/10.13674/j.cnki.32-1017/i.2000.02.019.Search in Google Scholar

Qian, Mu. 1991. “Zhongguo wenhua dui renlei weilai de keyou gongxian” [“The Possible Contributions of Chinese Culture to the Future of Humanity”]. Chinese Culture (01): 93–6.Search in Google Scholar

Tang, Yijie. 2005. “Lun tianrenheyi” [“On Heaven-Man Oneness”]. History of Chinese Philosophy (2): 5–10+78.Search in Google Scholar

Wang, Zhongling. 1992. “Lun zhonggong shenhua tezheng” [“On the Characteristics of Chinese Mythology”]. Research of Chinese Literature (3): 10. cnki:sun:zwxy.0.1992-03-001.Search in Google Scholar

Yang, Yi. 2003. “Shanhaijing de shenhua siwei” [“Mythical Thinking in Shan Hai Jing”]. Journal of Sun Yat-sen University (Social Science Edition) 43 (3): 1–10. https://doi.org/10.3969/j.issn.1000-9639.2003.03.001.Search in Google Scholar

Zhang, Peiheng. 1992. “Fengshenyanyi zuozhe bukao” [“Supplement to the Authorship of Investiture of the Gods”]. Journal of Fudan University (Social Sciences Edition) (4): 90–8.Search in Google Scholar

Zhu, Xi. 2011. Sishu zhangju jizhu [Concourse of Commentaries on the Four Books]. Beijing: Zhonghua Book Company.Search in Google Scholar

Postscript

The originally article entitled中国神话与当下中国电影美学重建 was published in 山东社会科学 (Shandong Shehui Kexue, Shandong Social Sciences) 2025 (03): 73–82+2.Search in Google Scholar

Received: 2025-08-15
Accepted: 2025-08-19
Published Online: 2025-09-10

© 2025 Walter de Gruyter GmbH, Berlin/Boston

Downloaded on 26.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/jcfs-2025-0055/html?lang=en
Scroll to top button