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Published/Copyright:
January 6, 2022
Published Online: 2022-01-06
Published in Print: 2021-11-25
©2021 Walter de Gruyter GmbH, Berlin/Boston
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- Looking Backwards and Forwards: The Development of Film Art in the People’s Republic of China
- Xia Yan and the Chinese School of Film
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- Analysis of China’s Film Industry in 2020
- Shi-nematic afterimages: semiocapitalism and Chinese cine-cities
- The Current Problems of Aesthetic Creation in Chinese Film Art
- The Generation, Transformation, and Dissipation of the “Sixth Generation” Cinema in China: The Entropy Change of a Concept
- The Imaginative Impulse: Philosophies of Film and Chinese Aesthetic Sensibilities
- Queering Bodies: “Becoming-unrecognisable” in Wong Kar-Wai’s Happy Together
- “In the Dark Places, Getting Burned”: Portrayals of Street Culture in Taiwan Cinema Today
- New Mainstream Films and Television Dramas in China: The Construction of Industrial Aesthetics and Consumption of Youth Culture
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Articles in the same Issue
- Frontmatter
- Research Articles
- At Home in the World: Wandering Earth, Environmentalism, and Reimagined Homelands
- Looking Backwards and Forwards: The Development of Film Art in the People’s Republic of China
- Xia Yan and the Chinese School of Film
- Interview
- The Chivalry of a Martial Artist – Interview with Wu Jing
- Research Articles
- Analysis of China’s Film Industry in 2020
- Shi-nematic afterimages: semiocapitalism and Chinese cine-cities
- The Current Problems of Aesthetic Creation in Chinese Film Art
- The Generation, Transformation, and Dissipation of the “Sixth Generation” Cinema in China: The Entropy Change of a Concept
- The Imaginative Impulse: Philosophies of Film and Chinese Aesthetic Sensibilities
- Queering Bodies: “Becoming-unrecognisable” in Wong Kar-Wai’s Happy Together
- “In the Dark Places, Getting Burned”: Portrayals of Street Culture in Taiwan Cinema Today
- New Mainstream Films and Television Dramas in China: The Construction of Industrial Aesthetics and Consumption of Youth Culture
- The Regional Rootedness of China’s Film Industry: Cluster Development and Attempts at Cross-Location Integration
