Catastrophic Futures: Tragic Children in Martin McDonagh’s The Pillowman

Works Cited

Aeschylus. The Oresteia. Trans. Robert Fagles. London: The Viking Press, 1966. Print.Search in Google Scholar

Brenkman, John. “Queer Post-Politics.” Narrative 10.2 (2002): 174–180. Print. 10.1353/nar.2002.0008Search in Google Scholar

Bushnell, Rebecca. Tragedy: A Short Introduction. Malden: Blackwell, 2008. Print.Search in Google Scholar

Butler, Thomas. “A Story’s Place in the World: Martin McDonagh’s The Pillowman.” The Explicator 71.1 (2013): 31–34. Print.10.1080/00144940.2012.758618Search in Google Scholar

Camus, Albert. The Myth of Sisyphus and Other Essays. Trans. Justin O’Brien. New York: Vintage, 1991. Print.Search in Google Scholar

Carroll, Noël. “Martin McDonagh’s The Pillowman, or The Justification of Literature.” Philosophy and Literature 35.1 (2011): 168–181. Print.10.1353/phl.2011.0006Search in Google Scholar

Carter, Angela. “Notes from the Front Line.” On Gender and Writing. Ed. Michelene Wandor. London: Thorsons, 1983. 69–77. Print. Search in Google Scholar

Caserio, Robert L. et al. “The Antisocial Thesis in Queer Theory.” PMLA 121. 3 (2006): 819–828. Print.10.1632/pmla.2006.121.3.819Search in Google Scholar

Clifford, Clare Emily. “‘Suicides Have a Special Language’: Practicing Literary Suicide with Sylvia Plath, Anne Sexton, and John Berryman.” Making Sense of Dying and Death. Ed. Andrew Fagan. Amsterdam: Rodopi, 2004. 197–208. Print. Search in Google Scholar

Corngold, Stanley. “Sebald’s Tragedy.” Rethinking Tragedy. Ed. Rita Felski. Baltimore: Johns Hopkins University Press, 2008. 218–240. Print.Search in Google Scholar

Eagleton, Terry. Sweet Violence. Malden: Blackwell, 2003. Print. Search in Google Scholar

Edelman, Lee. No Future. Durham: Duke University Press, 2004. PrintSearch in Google Scholar

Ellis, Anthony. “Martin McDonagh’s Fractured Fairy Tales: Representational Horrors in The Pillowman.” Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays. Ed. Verna A. Foster. Jefferson: McFarland & Company, 2012. 144–159. Print. Search in Google Scholar

Haraway, Donna J. Modest_Witness@Second_Millennium.FemaleMan_Meets_OncoMouse: Feminism and Technoscience. New York: Routledge, 1997. Print. Search in Google Scholar

James, Allison, Chris Jenks, and Alan Prout. Theorizing Childhood. Cambridge: Polity, 1998. Print.Search in Google Scholar

Jamison, Kay Redfield. Night Falls Fast: Understanding Suicide. New York: Knopf, 1999. Print. Search in Google Scholar

Jarcho, Julia. “Cold Theory, Cruel Theater: Staging the Death Drive with Lee Edelman and Hedda Gabler.” Critical Inquiry 44.1 (2017): 1–16. Print. 10.1086/694127Search in Google Scholar

Jordan, Eamonn. “War on Narrative: The Pillowman.” The Theatre of Martin McDonagh: A World of Savage Stories. Ed. Lilian Chambers and Eamonn Jordan. Dublin: Carysfort Press, 2006. 174–197. Print. Search in Google Scholar

Lanters, José. “‘Like Tottenham’: Martin McDonagh’s Postmodern Morality Tales.” The Theatre and Films of Martin McDonagh. Ed. Patrick Lonergan. London: Methuen Drama, 2012. 165–178. Print. Search in Google Scholar

Lennard, Dominic. Bad Seeds and Holy Terrors: The Child Villains of Horror Film. New York: State University of New York Press, 2015. Print. Search in Google Scholar

McDonagh, Martin. The Pillowman. New York: Dramatists Play Service, 2003. Print.Search in Google Scholar

Morton, Timothy. Dark Ecology. New York: Columbia University Press, 2016. Print. 10.7312/mort17752Search in Google Scholar

Natasi, Alison. “Why Horror Movies Are Obsessed with Creepy Kids, Dolls and Clowns.” Hopes & Fears. Hopes LLC. 26 Oct. 2015. Web. 20 Oct. 2016. <www.hopesandfears.com/hopes/culture/film/ 216733-creepy-children-girls-dolls-clowns-horror-movies>. Search in Google Scholar

O’Toole, Fintan. “Martin McDonagh.” BOMB. BOMB Magazine. 1 Apr. 1998. Web. 13 Feb. 2018. <https://bombmagazine.org/articles/martin-mcdonagh/>.Search in Google Scholar

Plath, Sylvia. “Lady Lazarus.” Ariel. New York: Harper Perennial Modern Classics, 2005. 14–17. Print. Search in Google Scholar

Sands, Kathleen M. “Tragedy, Theology, and Feminism in the Time After Time.” Rethinking Tragedy. Ed. Rita Felski. Baltimore: Johns Hopkins University Press, 2008. 82–103. Print.Search in Google Scholar

Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press, 1987. Print. Search in Google Scholar

Shaviro, Steven. “Bodies of Fear: The Films of David Cronenberg.” The Politics of Everyday Fear. Ed. Brian Massumi. Minneapolis: University of Minnesota Press, 1993. 113–135. Print.Search in Google Scholar

Sheldon, Rebekah. The Child to Come: Life after the Human Catastrophe. Minneapolis: University of Minnesota Press, 2016. Print. 10.5749/minnesota/9780816689873.001.0001Search in Google Scholar

Shi, Fei. “Tragic Ways of Killing a Child: Staging Violence and Revenge in Classical Greek and Chinese Drama.” Text and Presentation 2008. Ed. Stratos E. Constantinidis. Jefferson: McFarland & Company, 2009. 166–179. Print. Search in Google Scholar

Solomon, Alisa. Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge, 1997. Print.Search in Google Scholar

Williams, Raymond. Modern Tragedy. London: Chatto & Windus, 1966. Print. Search in Google Scholar

Wood, Robin. “An Introduction to the American Horror Film.” Planks of Reason: Essays on the Horror Film. Ed. Barry Keith Grant. Lanham: The Scarecrow Press, 1984. 164–200. Print. Search in Google Scholar

Worthen, William B., and Hana Worthen. “The Pillowman and the Ethics of Allegory.” Modern Drama 49.2 (2006): 155–173. Print. 10.3138/md.49.2.155Search in Google Scholar