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Frontmatter

Published/Copyright: December 5, 2014

Published Online: 2014-12-5
Published in Print: 2014-12-1

© 2014 Walter de Gruyter GmbH, Berlin/München/Boston

Articles in the same Issue

  1. Frontmatter
  2. Frontmatter
  3. Special Issue: Theatre and Politics: Theatre as Cultural Intervention
  4. Articles
  5. Gender, Identity and Contemporary India: A View Through Two Plays by Mahesh Dattani
  6. The Value of the Tragic in Contemporary American Drama: Richard Greenberg’s Three Days of Rain, Sam Shepard’s The Late Henry Moss, Tracy Letts’s August: Osage County
  7. The World Grasped as Picture: Subjective Vision and the Embodiment of Male Gaze in Sam Shepard’s Seduced
  8. History Will Eat Itself: Rory Mullarkey’s Cannibals and the Terrors of End-Narratives
  9. Borderless Borders: Guillermo Gómez Peña’s The New World Border
  10. When Time Thickens and Takes on Flesh: Chronotopic Exploration of Edward Bond’s Paris Pentad Plays
  11. Reviews
  12. Julia Boll. The New War Plays: From Kane to Harris. Houndmills, Basingstoke: Palgrave Macmillan, 2013, 183 pp., £50.00.
  13. Eliane Beaufils, ed. Quand la Scène Fait Appel...Le Théâtre Contemporain et le Poétique. Paris: L’Harmattan, 2014, 290 pp., € 34.00.
  14. Duška Radosavljević. Theatre-Making: Interplay Between Text and Performance in the 21st Century. New York: Palgrave Macmillan, 2013, xi + 288 pp., $85.00 (hardback), $28.00 (paperback).
  15. Jenn Stephenson. Performing Autobiography: Contemporary Canadian Drama. Toronto: University of Toronto Press, 2013, 224 pp., C$ 45.00 (cloth), C$ 45.00 e-book (EPUB format).
  16. Paula Deubner. “Into the Light” – Selbst und Transzendenz in den Dramen Sarah Kanes. CDE Studies Volume 22. Trier: Wissenschaftlicher Verlag, 2012, 235 pp., € 27,50 (paperback).
  17. William W. Demastes. The Cambridge Introduction to Tom Stoppard. Cambridge: Cambridge University Press, 2013, first published 2012, ix + 166 pp., £ 50,00 (hardback), £ 15,99 (paperback).
  18. Harvey Young. Theatre & Race. Houndsmill, Basingstoke: Palgrave Macmillan, 2013, v + 80pp., $ 10.00.
  19. Jill Dolan. The Feminist Spectator in Action: Feminist Criticism for the Stage and the Screen. New York, NY: Palgrave Macmillan, 2013, 248 pp., $ 80.00 (hardback), $26.00 (paperback).
  20. Sean Carney. The Politics and Poetics of Contemporary English Tragedy. Toronto: University of Toronto Press, 2013, 360pp., $34.95 (paperback), $75.00 (hardback), $34.95 (ebook).
  21. Harvey Young, ed. The Cambridge Companion to African American Theatre. New York: Cambridge University Press, 2013, xix + 291 pp., $ 90.00 (hardback), $ 29.99 (paperback).
  22. Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30.
  23. Liz Tomlin. Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990–2010. Manchester: Manchester University Press, 2013, ix + 226 pp., £ 65.00.
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