Abstract
This paper investigates the Chinese reception and transformation of the Bible through dramatic texts during the early Republican period, and the ways in which members of the Catholic community attempted to resolve the cultural and moral conflicts, mainly through the lens of the martyrdom narratives in the dramatic text Majiabai’a zhuan
(The Story of the Maccabees, 1918). The Chinese playwright Fei Jinbiao, well aware of the contesting moral values in the Chinese cultural contexts, adopted some dramatizing strategies to resolve the moral dilemma among most Chinese audiences. The dramatization of biblical and martyrdom stories in Chinese were employed as a tool of proselytization and religious education in Catholic families and schools. The reading and performing of the dramatic texts on martyrdom also contributed to the identity building of the Chinese Catholic community as a distinctive group on the borders of the mainstream Chinese society. From a broader perspective, the making of martyrdom in Chinese Catholic dramatic texts and the performance of martyrdom stories in China facilitated the “re-membering” of not only the Western saints into the Chinese church but also the Chinese martyrs into the universal Catholic Church.
Acknowledgements
The work described in this paper was substantially supported by the General Research Fund from the Research Grants Council of Hong Kong (Project no. CUHK 14405114: “Transforming Morality and Society: Chinese Jesuit Fiction and Drama in the Republican Era (1912–1937)”).
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Articles in the same Issue
- Frontmatter
- The Bible and The Transgender Christian: Mapping Transgender Hermeneutics in the 21st Century
- Of Lions, Arabs & Israelites: Some Lessons from the Samson Story for Writing the History of Biblical Scholarship
- A Father’s Lament Doubly Received: Robert Alter, Nigel Butterley, and David’s Lament for Absalom
- Dramatizing the Bible in Chinese: The Making of Martyrdom in The Story of the Maccabees (1918)
- John 11 in the Book of Mormon
- Book Review
- The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers. The Bible in the Modern World, 71
Articles in the same Issue
- Frontmatter
- The Bible and The Transgender Christian: Mapping Transgender Hermeneutics in the 21st Century
- Of Lions, Arabs & Israelites: Some Lessons from the Samson Story for Writing the History of Biblical Scholarship
- A Father’s Lament Doubly Received: Robert Alter, Nigel Butterley, and David’s Lament for Absalom
- Dramatizing the Bible in Chinese: The Making of Martyrdom in The Story of the Maccabees (1918)
- John 11 in the Book of Mormon
- Book Review
- The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers. The Bible in the Modern World, 71