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Futurist Texts in the Madrilenian Review Prometeo, Directed by Ramón Gómez de la Serna

Veröffentlicht/Copyright: 22. Mai 2013
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International Yearbook of Futurism Studies
Aus der Zeitschrift International Yearbook of Futurism Studies Band 3 Heft 1

Abstract

This essay analyses the first phase of the infiltration of Futurism into Spain - approximately from 1909 to 1912 - and seeks to clarify the dates, titles and all those elements that even nowadays are still confusing the critics. Starting with the personal and professional relationship between Filippo Tommaso Marinetti and Ramon Gomez de la Serna, this contribution studies the Futurist programmatic texts published in the Madrilenian review Prometeo in order to compare them with Italian Futurist manifestos and to reveal the similarities and differences between them. Like their authors, these texts share a curious and interesting unity of codes and literary expression, but they also reveal variations, due to the dissimilar cultural, social and political situations in Italy and Spain. Thus, one can demonstrate that the importation of Futurism into Spain did not merely result in imitation, but led to ‘cultural adaptations’ that transformed Italian reality into an Iberian one and mixed typical traits of the Italian avantgarde (dynamism, technophilia, etc.) with specifically Spanish characteristics of a more traditionalist kind (bullfighting, clericalism, Carlism etc.).

Keywords: : Spanish avant-garde journals; Futurist manifestos; Marinetti’s FuturistProclamation to the Spaniards.
Published Online: 2013-05-22
Published in Print: 2013-05

© 2013 by Walter de Gruyter GmbH & Co.

Artikel in diesem Heft

  2. Contents
  3. Editorial
  4. Section 1: Reviews and Archive Reports
  5. Valentine de Saint-Point: Performance, War, Politics and Eroticism
  6. Apulia Celebrates International Futurism
  7. The Futurism Archive of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut
  8. Section 2: Country Surveys
  9. Futurism in Spain: Research Trends and Recent Contributions
  10. Section 3: Futurism Studies: Iberian Futurisms
  11. Pre-History
  12. Futurist Social Critique in Gabriel Alomar i Villalonga (1873–1941)
  13. Marinetti’s Periodical Poesia (1905–09) and Spanish-language Literature
  14. Castile
  15. Futurist Texts in the Madrilenian Review Prometeo, Directed by Ramón Gómez de la Serna
  16. “Polemics, jokes, compliments and insults”: The Reception of Futurism in the Spanish Press (1909–1918)
  17. Futurism and Ultraism: Identity and Hybridity in the Spanish Avant-garde
  18. Nuevo Romanticismo and Futurism: Spanish Responses to Machine Culture
  19. Catalonia
  20. Rafael Barradas, Catalan Futurism and Marinetti’s Visit to Barcelona (1928)
  21. Catalan Futurism(s) and Technology: Poetry, Painting, Architecture and Film
  22. Basque Country
  23. Marinetti in Bilbao: Futurist Influences in the Basque Country
  24. Galicia
  25. Reactions to Futurism in Galicia, 1916–1936
  26. Portugal
  27. Futurism in Portugal
  28. Almada Negreiros, a Portuguese Futurist
  29. Ultra-Futurism, Occultism and Queer Politics: Concerning an (almost unpublished) Letter of Raul Leal to F. T. Marinetti
  30. Two Futurists Fallen into Oblivion: José Pacheco and Santa Rita Pintor
  31. Section 4: Bibliography
  32. A Bibliography of Publications on Futurism, 2010–2012
  33. Section 5: Back Matter
  34. List of Illustrations
  35. Notes on Contributors
  36. Name Index
  37. Subject Index
  38. Geographical Index
https://doi.org/10.1515/futur.2013.3.1.99
Schlagwörter für diesen Artikel
Spanish avant-garde journals; Futurist manifestos; Marinetti’s FuturistProclamation to the Spaniards.

Artikel in diesem Heft

  2. Contents
  3. Editorial
  4. Section 1: Reviews and Archive Reports
  5. Valentine de Saint-Point: Performance, War, Politics and Eroticism
  6. Apulia Celebrates International Futurism
  7. The Futurism Archive of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut
  8. Section 2: Country Surveys
  9. Futurism in Spain: Research Trends and Recent Contributions
  10. Section 3: Futurism Studies: Iberian Futurisms
  11. Pre-History
  12. Futurist Social Critique in Gabriel Alomar i Villalonga (1873–1941)
  13. Marinetti’s Periodical Poesia (1905–09) and Spanish-language Literature
  14. Castile
  15. Futurist Texts in the Madrilenian Review Prometeo, Directed by Ramón Gómez de la Serna
  16. “Polemics, jokes, compliments and insults”: The Reception of Futurism in the Spanish Press (1909–1918)
  17. Futurism and Ultraism: Identity and Hybridity in the Spanish Avant-garde
  18. Nuevo Romanticismo and Futurism: Spanish Responses to Machine Culture
  19. Catalonia
  20. Rafael Barradas, Catalan Futurism and Marinetti’s Visit to Barcelona (1928)
  21. Catalan Futurism(s) and Technology: Poetry, Painting, Architecture and Film
  22. Basque Country
  23. Marinetti in Bilbao: Futurist Influences in the Basque Country
  24. Galicia
  25. Reactions to Futurism in Galicia, 1916–1936
  26. Portugal
  27. Futurism in Portugal
  28. Almada Negreiros, a Portuguese Futurist
  29. Ultra-Futurism, Occultism and Queer Politics: Concerning an (almost unpublished) Letter of Raul Leal to F. T. Marinetti
  30. Two Futurists Fallen into Oblivion: José Pacheco and Santa Rita Pintor
  31. Section 4: Bibliography
  32. A Bibliography of Publications on Futurism, 2010–2012
  33. Section 5: Back Matter
  34. List of Illustrations
  35. Notes on Contributors
  36. Name Index
  37. Subject Index
  38. Geographical Index
Heruntergeladen am 24.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/futur.2013.3.1.99/html?lang=de
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