“It made her age hard to guess”: Narrating the dynamics of aging and gender through Victorian Gothic archetypes in Susan Hill’s The Woman in Black
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Marta Miquel-Baldellou
Abstract
Although Susan Hill has become a prolific writer of ghost narratives in the last decades, it was at a particularly momentous stage of her life as a woman writer that she published The Woman in Black (1983), which is considered her first ghost novel. Evoking the Victorian past, The Woman in Black engages intertextually with Victorian novels within the Gothic genre. The character of the Woman in Black comprises features pertaining to different Victorian Gothic archetypes, such as the ghost, the vampire, and the double. Some of the traits pertaining to these literary archetypes echoed Victorian anxieties about aging that are recovered and reinterpreted in Hill’s novel. Furthermore, in analogy with a Gothic romance, the encounter between the narrator as a young man, Arthur Kipps, and a spectral aging woman, the Woman in Black, unleashes the hero’s process of coming of age, which he recollects in his old age as he is writing his narrative. Narratological features pertaining to the Gothic genre, like the use of a frame narrative that blends past and present, underscore the dynamics of aging, since processes of interrupted aging and premature aging disrupt the boundaries that conventionally distinguish life stages. This article approaches Hill’s The Woman in Black as a contemporary ghost novel that evokes and subverts Victorian discourses of aging and gender, at the same time that, from a contemporary perspective, it vindicates the figure of the Victorian fallen woman as an aging mother.
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Articles in the same Issue
- Frontmatter
- Frontmatter
- Literary and critical encounters with the Anthropocene: An interview with Seán Hand
- Introduction: Narratives of ageing in the fantastic mode
- Age(ism) in Hans Christian Andersen’s fairy tales
- “Old things made new”: Transfusive rejuvenescence in M. E. Braddon’s “Good Lady Ducayne” and H. G. Wells’s “The Story of the Late Mr. Elvesham”
- “Inside many of us / is a small old man” – age/ing in Anne Sexton’s Transformations: A community discussion
- “It made her age hard to guess”: Narrating the dynamics of aging and gender through Victorian Gothic archetypes in Susan Hill’s The Woman in Black
- The wisdom of intergenerational relationships in Ursula Le Guin’s series Annals of the Western Shore (Gifts, Voices and Powers)
- Éilís Ní Dhuibhne’s Little Red and Other Stories and gerotranscendence on the page
- Futurity, the life course and aging in Kazuo Ishiguro’s Klara and the Sun
- Rewriting rules, changing worlds: Diegetic and ludic forms of metareference in The Magic Circle
- Unresolved conflicts and suspended ethics: Reading “The Monster” from the perspective of voice
Articles in the same Issue
- Frontmatter
- Frontmatter
- Literary and critical encounters with the Anthropocene: An interview with Seán Hand
- Introduction: Narratives of ageing in the fantastic mode
- Age(ism) in Hans Christian Andersen’s fairy tales
- “Old things made new”: Transfusive rejuvenescence in M. E. Braddon’s “Good Lady Ducayne” and H. G. Wells’s “The Story of the Late Mr. Elvesham”
- “Inside many of us / is a small old man” – age/ing in Anne Sexton’s Transformations: A community discussion
- “It made her age hard to guess”: Narrating the dynamics of aging and gender through Victorian Gothic archetypes in Susan Hill’s The Woman in Black
- The wisdom of intergenerational relationships in Ursula Le Guin’s series Annals of the Western Shore (Gifts, Voices and Powers)
- Éilís Ní Dhuibhne’s Little Red and Other Stories and gerotranscendence on the page
- Futurity, the life course and aging in Kazuo Ishiguro’s Klara and the Sun
- Rewriting rules, changing worlds: Diegetic and ludic forms of metareference in The Magic Circle
- Unresolved conflicts and suspended ethics: Reading “The Monster” from the perspective of voice
